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52 pages 1 hour read

Washington Square

Fiction | Novel | Adult | Published in 1880

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Character Analysis

Catherine Sloper

From her father’s perspective, Catherine Sloper has two strikes against her. She is female, and her mother died shortly after giving birth to her. However, Catherine is healthy, obedient, affectionate, and truthful, at least in her youth. She grows up painfully shy, and she is often quiet, if not completely silent when she is uncomfortable. It takes the betrayal of her suitor and her father to find her voice.

Dr. Sloper tasks his sister, Mrs. Penniman, with making a “clever woman” of Catherine, though Dr. Sloper thinks Mrs. Penniman is a foolish romantic whom he never deemed to be clever. Unsurprisingly, Dr. Sloper eventually concludes that Mrs. Penniman failed in the task, and he repeatedly refers to his daughter as weak-minded. However, Catherine has greater depths of character and discernment than her father realizes. For instance, she is aware that Mrs. Penniman is not a model of intelligence or reasonableness, though she is respectful of her.

When Dr. Sloper indicates that the young men of New York prefer prettier and livelier women to Catherine, Catherine’s more discerning aunt, Mrs. Almond, defends her. She says the young men of the city must reach an age of greater discernment to recognize Catherine’s style and worth. Unfortunately, Catherine’s first real suitor, Townsend, calculates her worth in the basest manner, tying it to her father’s fortune. Lacking experience and guidance in such matters, Catherine falls in love with the handsome and charming, if indolent, Townsend.

Raised without dependable female guidance, Catherine is vulnerable to misjudging men. Catherine’s conflicting desires to be dutiful and obedient toward her father while also faithful and loving toward Townsend send her life in a different direction. Both men prove unworthy of her. Dr. Sloper becomes so paranoid about his social position and financial legacy that he disinherits Catherine rather than risk her defiance. Her loyalty is ultimately a demonstration of his worth; without it, his authority diminishes. Townsend, in turn, proves himself the mercenary Dr. Sloper believes him to be, leaving Catherine after learning that the doctor will disinherit her if she marries him.

Over time, Catherine acquires a quiet solidity and stoicism—mirroring her Washington Square residence—as well as a sense of autonomy. She refuses further marriage offers either out of anger and resentment toward her father or because her experiences with Townsend and her father permanently damaged her ability to love and trust men. Catherine refuses to promise she will not marry Townsend after the doctor dies, though she has no intention or desire to see Townsend again. She refuses her father because she no longer considers it her obligation to be obedient or loyal. When she sees Townsend one last time, she dismisses him without ceremony. After this final meeting, she returns to her needlework “for life” with no one to either please or depend on.

Dr. Austin Sloper

The defining moments of Dr. Sloper’s life occur before the novel begins. His son dies at three years old, and his beautiful, intelligent wife dies two years later after giving birth to their daughter, Catherine. Dr. Sloper is biased enough that he sees Catherine as an inferior substitute for his son, whom the doctor “had promised himself to make an admirable man” (6). Unfortunately, as the novel progresses, the reader realizes that Dr. Sloper never completely takes up the cause of helping Catherine become an admirable woman. Instead, he decides to expect nothing from her, so anything intelligent or clever that she surprises him with is a bonus.

Dr. Sloper is undoubtedly intelligent, and a good portion of the novel's comedy derives from his quick wit. However, he too often rewards Catherine’s love and respect with caustic irony, and he consistently belittles her intelligence, discernment, and attractiveness when speaking to others. Dr. Sloper finally creates a self-fulfilling prophecy: Catherine falls victim to a fortune hunter in part because her father does not provide her with the education and support that she needs.

Dr. Sloper becomes a doctor to “learn something interesting and to do something useful,” and he succeeds brilliantly (7). Unfortunately, Dr. Sloper’s scientific training and years of experience with patients sometimes lead him to deal with Catherine as if she is a case study, rather than his pained and confused daughter. He awaits the result of Catherine’s inner struggle, between loyalty toward him and love of Townsend, like a scientist mixing two chemicals might await the reaction. He misses multiple opportunities to comfort Catherine and simply show he cares for her, finally proving himself a more dedicated doctor than father.

Morris Townsend

Morris Townsend can be viewed as a foil for Dr. Sloper. While Dr. Sloper has a stable, prosperous life largely built on hard work and honesty, Townsend’s primary characteristics—beyond his striking beauty, social grace, and charm—are laziness and a seemingly boundless capacity for deception.

Townsend chooses his positions and tactics based on what he believes will promote his interests and potentially improve his social or financial position. Townsend portrays himself as supporting his sister when, in fact, he lives off her generosity. He claims that he educates his nieces and nephews, when, in fact, he only teaches them rudimentary Spanish. Regarding Catherine, he expresses his desire to marry her immediately because her father’s fortune appears substantial, but then refuses to set a date and eventually leaves once the doctor vows to disinherit her.

He expresses no qualms about meeting freely with Mrs. Penniman to plot stratagems without the knowledge of Catherine and Dr. Sloper, and he takes advantage of the doctor’s absence to help himself to the doctor’s home, wine, and cigars. Perhaps most damningly, Townsend continues to see Catherine and gives her the impression they will soon be married even after he decides to break with her. When this situation becomes uncomfortable for him, Townsend starts a quarrel with Catherine as a cover for separating from her. Years later, his machinations backfire: The mature Catherine, no longer a mark for such stratagems, views Townsend one last time and sums him up: Townsend “had made himself comfortable, and he had never been caught” (177). She recognizes his flawed character and deceptive nature.

Finally, Townsend can be seen as a catalyst to test the strength of Catherine’s relationship with Dr. Sloper, and their relationship fails the test. Both Catherine and Dr. Sloper gradually become more dishonest and withholding toward each other once Townsend enters their lives. By the time Townsend exits the romance, he leaves the relationship between Catherine and Dr. Sloper shattered. Townsend then moves on to use his assets “to get what he can” (135). His character remains essentially static, neither developing nor changing in any significant way.

Mrs. Penniman

Mrs. Penniman serves both as a dubious mentor for Catherine and as a foil to Catherine’s more retiring, rational character. Mrs. Penniman is dramatic, and Catherine is shy; she indulges in romantic fantasies while Catherine mulls over the choice between her father’s approval and her suitor’s love. Catherine’s quiet and unassuming air contrasts with Mrs. Penniman’s theatrical interference: “Mrs. Penniman took too much satisfaction in the sentimental shadows of this little drama to have, for the moment, any great interest in dissipating them” (79). Thus, Mrs. Penniman eventually betrays Catherine’s trust for the sake of her desire to magnify the romantic nature of the match between Catherine and Townsend. She champions Townsend’s interests at the expense of Catherine’s.

Mrs. Penniman lives out her fantasies by trying to direct the romance between Catherine and Townsend. Mrs. Penniman is smitten by Townsend, and she believes that he is the type of man she should have married. Since romance with Townsend is not an option, Mrs. Penniman indulges in a kind of Platonic affair with him, encouraging his consumption of Dr. Sloper’s finer offerings. Townsend essentially takes Dr. Sloper’s place, sitting in the doctor’s study, drinking his wine, and (insincerely) courting his sister while simultaneously acting as an object of attraction for Mrs. Penniman.

Mrs. Penniman’s romantic delusions serve to both highlight and complicate the concrete and practical dilemmas facing Catherine. Rather than promoting the couple’s interests, Mrs. Penniman’s advice for Catherine and Townsend promotes her romantic sense of excitement in an illicit romance, one she never had but always desired. Mrs. Penniman promotes drama throughout the novel and tries to keep herself at its center; she likes to believe that her every move is important enough to be observed and marked by others. Having no other outlets for her desires, she uses the divisive figure of Townsend to keep everyone in a state of excitement. She reinvents herself as a character of importance and centrality, eventually plotting with Townsend. She attempts to direct and dramatize the action to the end. She orchestrates the final parting scene, which leaves her looking foolish and disappointed, “hovering there under the irreconcilable promptings of her curiosity and her dignity” (179). Her fantasies of romantic triumph are defeated by her own interference.

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