70 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Feminism is a common theme seen across many of Allende’s works, and Violeta is no exception. Throughout the book, Allende explores the place of women in their homes and in the world through the different women characters that inhabit the story. Violeta’s character arc, in particular, presents the place of feminism in an individual’s journey.
Violeta was born into a time that saw restrictive social norms and ideas about women. However, her family appears to be more liberal and progressive than others, if not in ideology and political affiliation, then in their behavior. For instance, she has her aunt Pilar as an example of a gender nonconforming woman, rejecting feminine activities and accouterments, who is nevertheless valued as a member within the family and society. Josephine and Teresa, who later enter Violeta’s life, are even more radical examples, through not just the relationship they share with each other, but also their outspoken political activities. Despite these examples around her, Violeta is still a product of her time, and is bound by certain ideas about a woman’s life, especially pertaining to marriage. She marries Fabian despite her lack of love for him because she believes it is the only socially appropriate thing to do.
However, Violeta’s early exposure to unconventional and progressive ideas about women gives her a strong base from which to eventually evolve and grow in her own life, over time. For instance, she takes stock of her family’s experiences with money and ensures the same mistakes are not repeated in her own life. During Arsenio’s financial struggles, the women remained indifferent and oblivious, as finance was not considered their domain; in sharp contrast to this, Violeta insists on working, earning, and saving money even before marriage, and over time manages all the financial responsibilities of her family throughout her life. Experiencing the freedom that financial independence can bring, coupled with the legal limitation to a woman’s power over money in a marriage, is what eventually erodes her desire for marriage. From initially asking Fabian for an annulment and hoping that Julián will marry her, she grows to relish her independence of being an unmarried woman, and even rejects Julián when he eventually asks her to marry him.
The trajectory of Violeta’s romantic relationships, in particular, spells a story of emancipation and empowerment. She initially marries Fabian for societal conventions, above all else; she breaks free of these conventions when she begins an affair with Julián and discovers passion. However, she becomes a victim of something that is far less talked about, and it takes Violeta years to recognize the emotionally destructive and physically abusive reality of her relationship with Julián. She finally breaks away from it, but even then, it is decades later that she sees how her experience is not unique; it is a larger societal problem that needs addressing. In this time, Violeta has a meaningful relationship with Roy, which shows her that romantic relationships between a man and a woman can be respectful and desire-filled at the same time. By the time Harald enters her life, Violeta is ready to reenter marriage as a promise of partnership, companionship, and love, rather than as a rigid social contract.
Violeta’s personal growth is mirrored by the sociopolitical situation surrounding her, and its relationship to women. Her country, perpetually embroiled in political chaos, sees a brief respite when the Socialist president first comes to power, but is plunged back into darkness for many years under the military dictatorship. Eventually, democracy returns to the nation, and by the time Violeta is deeply enmeshed in her work with women’s groups and the Nieves Foundation, a woman president has been elected who cares about these issues, too. Violeta’s life story, a journey of independence, personal freedom, and learning, is a feminist journey; in mirroring the changing and evolving sociopolitical landscape around her, it further ties into the theme of The Political Is Personal.
As with feminism, a commentary on South American politics is a common feature of Allende’s work. Violeta, set in an unnamed South American country that heavily alludes to Chile, provides the perfect scope for such commentary, because of its expansive setting spanning an entire century.
Allende suggested an intersection of the political and the personal at the very outset, by coinciding important world events with significant moments in Violeta’s life—the very first chapter, for instance, establishes that Violeta was born during the Spanish flu pandemic and dies during the coronavirus pandemic. Similarly, several historical and political events have discernible impacts on Violeta’s family and life. The Wall Street Crash of 1929 is linked with Arsenio’s death, as he loses his entire fortune because of it. Juan Martin’s exile, first from his home country and then again from Argentina, is brought about by the military coup in the former and Operation Condor in the latter.
However, Allende also explores how one’s politics and ideologies are deeply influenced by personal privilege. For most of her life, Violeta remains indifferent to politics. Her nonchalance reveals her privilege; born into a wealthy, aristocratic family, she does not need to think about the government, its ideologies, and its policies. Regardless of the ruling government, Violeta and her family carry a certain amount of social power because of their name and background. This is indicated by how, even when the Socialist government is in power and the country is in turmoil, she and her family business remain unaffected—on the one hand, they win the government contract to build homes, but on the other, they can keep voting Conservative and be considered enemies of the Socialists, because they are business owners. For years, Violeta knows about Julián’s involvement with “secret government plots” in Argentina, the CIA, and Colonia Esperanza, but this bothers her less than his work with gangsters in Miami.
It is not until Violeta is directly impacted by the political regime that she begins to see things differently. When Juan Martin is exiled and Torito is later found dead, she begins to see the importance of questioning the ideologies she grew up with. She begins to see the larger picture of how politics touches and impacts everyone, irrespective of class and background. The education of her early years, from the ideas she gleaned from Josephine and Teresa to the importance of keeping oneself open to multiple perspectives via the Rivases, comes into play. Violeta finally develops a social and political consciousness and plunges herself into working for women’s issues. Even here, when she becomes politically active, the things she campaigns for—legal rights to abortion and divorce, defense against abuse, and so on—are issues that have touched her personally.
Unlike Allende’s debut novel, The House of the Spirits, which spans generations and features multiple narrators, Violeta is a story narrated by a single woman, whose life journey unfolds against the context of multiple global, national, political, and historical events. Owing to this, the intersection of the political and the personal is explored extensively in the book.
Just as the expansive scope of Violeta allows for the exploration of how The Political Is Personal, it also shows, through Violeta’s journey, the possibility of continually learning from life. Ideas of learning and education are seen as important from the beginning, when Arsenio brings in a governess for Violeta as a young girl. More than academics, the most important thing Josephine does for Violeta is instill in her a lifelong love for learning. This, combined with the experiences Violeta has at Santa Clara with the Rivases, creates a foundation of open-mindedness in Violeta, and a willingness to observe and allow for multiple perspectives to coexist.
Violeta continually displays the ability to learn from experiences throughout her life. Her father’s experience leads her to work and ensure financial security for herself, and to provide for her family. This conviction is doubled when she learns that she cannot claim any money in an annulment from Fabian, and she fiercely protects her financial independence when she is with Julián. With Julián, Violeta encounters a different kind of learning, that of recognizing what an unhealthy relationship looks like, and she eventually leaves him.
Violeta’s ability to learn from life is applied not just to her personal situation and relationships, but to the world around her as well. Despite their differing political affinities and opinions, she nevertheless displays a willingness to listen to and learn from Juan Martin, accompanying him on a visit to an impoverished neighborhood that he initiated. She takes in the information she receives there and willingly applies it to her own worldview, considering that the ideologies she has grown up with may be fallible. Violeta’s biggest strength is her ability to keep herself open to possibilities; indeed, with Fabian, one of her biggest points of contention was not so much the content of his beliefs, but their rigidity.
The possibility of learning from life is seen most keenly in the later phases of Violeta’s life. Torito’s death is arguably Violeta’s life’s greatest tragedy, second only to losing Nieves. Rather than succumb to the grief and despair of the moment, Violeta mobilizes herself toward action. She takes all the experiences she has amalgamated over her lifetime and uses them to point her in the direction of more learning. She begins to meet with first the women at Nahuel and then other women’s groups, listening to and learning from their stories until she figures out how she can help.
The largest testament to this theme is, ultimately, the existence of the book itself. Violeta begins penning her life story in the final years of her life, to recollect and reflect on the things she has learned. Even late in her life, she confesses envying Camilo’s youth, as she desires to start over and do things differently. The conclusion of Violeta’s life and the story, thus, carry an overarching message that despite one’s age, background, and circumstances, life will perpetually offer something to learn.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Isabel Allende