55 pages • 1 hour read
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In the morning, Judd sits on the roof of the house and contemplates the view. He sees Wendy walking back from the Callens’ house in boxer shorts and a T-shirt. He sees Linda leaving the Foxman house and returning to hers. Judd comes “to the lonely conclusion that the only thing you can ever really know about anyone is that you don’t know anything about them at all” (188). After his shower, when the lights go out again, Judd flips the switch and is electrocuted by the fuse box. He remembers being three, riding a toy bike, and getting hit in the face by an older child. His father lifted and soothed him, and in his father’s arms Judd felt safe, knowing “the little bastard can’t reach me up here” (189). Judd comes to on the basement floor to see his mother, and he tells her his father called him “bubbie.” They cry together.
Since it is the Jewish Sabbath, the family does not have to sit shiva, but Boner tells them to come to temple to recite the Kaddish, the ritual mourning prayer, for Mort. Judd borrows one of his dad’s suits. He recalls how their father would occasionally make them go to temple when they were children, even though Mort admitted he did not really believe in God.
Judd feels the service is theatrical and the rabbi is showing off, but as the family recites the Hebrew prayer of mourning, he feels comforted. Then he finds a joint in his dad’s suit pocket, and he and Phillip go to a school classroom to smoke and jokingly recite the Hebrew alphabet. Paul joins them and the brothers admit they miss their father. The smoke sets off the fire alarm and sprinkler system, and they emerge wet and bedraggled while their mother scolds.
Judd wakes up from a nap to find Alice next to him. She exposes her breasts to arouse him and asks Judd to donate sperm so that she can get pregnant. Judd says he will go to a doctor with them, but Alice says she’s sick of doctors and needles. She straddles Judd, forcing intercourse, and he climaxes. She whispers that this will be their secret.
Judd falls in love twice on the way to the Marriott hotel where Jen is staying: first with a girl walking her dog, whom he imagines is uninhibited in bed, and next with a woman in the car next to him, whom he imagines is a gentle soul.
Jen wants to talk, and Judd admits the baby doesn’t feel real to him. Jen says she felt distanced from Judd when she was grieving their stillborn child and he seemed to move on. She was attracted to Wade because she hadn’t disappointed him. Judd is angry that Jen didn’t confide in him, thinking they could have repaired their relationship, and now they are two strangers having a baby.
Judd drives to their old home, two hours away. He enters the bedroom and looks in the dresser that used to be his. He finds some of Wade’s clothing. Judd takes out the seam of a pair of trousers so they will fall off when Wade wears them. He also takes $300. In their photo albums downstairs, Judd finds pictures from a vacation he and Jen took, trying to reconnect after their baby died. He wonders “When, exactly, did she cross that line and stop being mine?” (213). He takes a picture of Jen from their honeymoon with him.
Back at the Foxman house, the family is grilling out while Paul, Horry, and Phillip play with the boys. Judd watches “these people, these strangers, this family of mine,” and thinks, “I have never felt more lost and alone” (214). Judd goes to a movie with Penny, then goes back to her apartment and has sex with her. Her apartment is messy and sad, and Judd feels awkward and self-conscious. He tries not to think of Wade and Jen and instead reminds himself that he’s had sex twice today, with two different women. Again, he doesn’t tell Penny that Jen is pregnant.
Judd returns to find Wendy and Barry arguing outside. Phillip shows Judd a picture of the three brothers together. Their dad is reflected in the glass doors of a piece of furniture. The baby, Serena, cries, and Judd goes upstairs to comfort her. He holds Serena as she falls asleep.
On this day, relieved of the requirement to sit shiva, the family moves around and renegotiates relationships in different ways. Movement, connection, and fracture are the major currents of these scenes. Judd takes the vantage of an observer as he sits upon the roof—a way to draw apart and contemplate things with a bit of distance—but he admits that this perspective does not lend him any omniscience. Judd’s lack of judgment as he watches Wendy return from visiting Horry, and Linda returning home after spending the night at the Foxman house, highlights Sex and Love as Life-Affirming Needs. Judd accepts that there are things he simply doesn’t know about the people he’s surrounded with, but what he doesn’t know has less to do with personalities and motives than with the mystery of what attracts one person to another and why that attraction changes.
He confronts this puzzle in several forms over the course of the day. Alice’s desire, while in her eyes quite practical, is selfish, and her taking advantage of Judd is a violation, as he does not consent. Alice’s sex outside marriage is a mirror and parallel of Jen’s betrayal. However, Judd does not push Alice away or threaten to tell Paul, perhaps because he still cares for Alice, because he cares for Paul’s feelings, or because having sex with a forbidden woman is, for Judd, a kind of wish fulfillment. He engages in other fantasies of love, sex, and connection with the women he sees on the way to the hotel to meet Jen.
Jen in reality is a cold contrast to these warm fantasies, and Judd must confront, for the first time, that he might have substantially contributed to the emotional distance that grew between them, whereas before he cast himself as the one betrayed. His growing understanding and empathy hint that Healing Betrayal Through Forgiveness is on his mind. Jen’s grief over the baby they lost touches on Judd’s own grief for what he has lost, which includes the baby, Jen, and now his father. Driving to the house they shared in their marriage is a way Judd attempts to retrace these steps to go backward in time. He understands that the child was not the sole reason for their distance but added to the growing fracture. He also understands Jen’s grief.
There is shock but not surprise when Judd realizes Wade has intruded into their bedroom, beginning to take Judd’s place in Jen’s life. His unstitching of Wade’s pants is meant to humiliate Wade, exposing his sexual organs in a way that could accuse Wade of being all libido and no emotional substance. Judd has no compunction about stealing money from Wade because of what he feels Wade stole from him. The picture Judd takes from the house—the memory he seeks to reclaim—is not of Jen on the vacation they took while grieving their child, but of their honeymoon, that first flush of innocence when he believed she belonged to and was devoted to him. It is this feeling that Judd wishes he could recapture.
Given that he is still trapped in the past, Judd feels unable to engage with his family in the present and so avoids the family picnic, where the others seem to be getting along. Instead, he seeks out Penny, as if this were a way he could reconnect with and soothe a younger, hurt self. The sex is awkward, though Judd tries to congratulate himself that at least he is having sex. In neither case has intercourse brought Judd the kind of emotional connection he seeks.
While he fails to connect with Jen, or Alice, or Penny, Judd takes a step toward reconciliation with his brothers as the three of them sit in the school classroom—a call back to their childhood—and share a joint. The marijuana is their father’s, likely for medicinal use, and provides another way Mort brings the men together. Judd feels awkward in his father’s suit, as he is struggling with what the maturity of adulthood, and impending fatherhood, means. However, in the joint, and in the photo Phillip shows him of their father watching the boys play, Judd is reminded of his father’s place in and ongoing presence in his life. This makes him capable of a step toward real human connection and practice at nurturing when he holds his baby niece and lets her fall asleep on his chest. Serena is being denied solace because her parents think she needs to learn to self-soothe, but Judd wants his niece—and his own child—to grow up feeling loved, supported, and secure.
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