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66 pages 2 hours read

The Signature of All Things

Fiction | Novel | Adult | Published in 2013

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Themes

The Pleasures of Knowledge

The Signature of All Things takes up the theme of knowledge from several angles: what we know, how we know it, and how we learn what we don’t know. Although the novel is primarily concerned with the human pursuit of acquiring knowledge of the natural world, there are also subplots that deal with spiritual knowledge, self-knowledge, and the value of worldly experience as opposed to learning from books, and these interwoven pursuits fit together well, for at its most basic level, the true meaning of the term “scientist” is “one who seeks knowledge,” and Alma personifies this focus in every aspect of her life.

The novel posits knowledge as the core value and chief aim of Alma Whittaker’s life, and she explicitly reflects at one point that her only true desire is “to know things” (399). Whether as a small child seeking answers about natural behavior or as an adult seeking answers about the people she loves, Alma’s lifelong quest is to learn and understand the world around her. For the most part, people are not a focus of study, and this is clearly evidenced by her many interpersonal difficulties. As a young girl, she is mystified by Prudence’s behavior, but she doesn’t investigate this subject the way she pursues her botanical studies, for plants ultimately make more sense to Alma, as they are easier to categorize and theorize about and have a “magical orderliness” (80).

When she realizes how much she still has to learn about mosses, Alma feels that she has encountered a new world, even a new universe, and she settles upon that course of study for the love of study alone, and only secondarily as a little-known field to which she can contribute. At the end of her life, Alma calls herself fortunate because, as she tells Wallace, “I have been able to spend my life in study of the world” (497). Knowledge, she says, “is the most precious of all commodities” (497). She has contributed to the great library of human knowledge being accumulated across time and history, and that is achievement enough for her.

As further proof of the importance of knowledge, all of Alma’s moments of character growth are spurred by learning something new. She matures into a woman when she learns about sexual desire and how to satisfy herself. She devotes herself to a life of scholarship when she learns that the man she loves is to marry another. She is spurred to travel around the world because she wants to understand what the boy in his sketches meant to her husband, Ambrose. Moreover, she connects with Prudence for the first time when she learns about that territory she never cared to explore: the inner workings and motivations of Prudence’s heart.

While Alma’s theory of competitive alteration satisfies her as to the mechanism driving the natural world, she resists presenting her treatise for publication because there is one question she can’t answer: an explanation for the existence of altruism. The concept of self-sacrifice simply does not fit her theory and creates The Paradox of Self-Sacrifice in a Darwinian Worldview. Because Alma cannot reconcile her theory with self-sacrifice, Alma refrains from sharing her idea with anyone beyond her uncle.

In contrast to Alma’s curiosity about the natural world, other characters such as Ambrose, Reverend Welles, and Wallace demonstrate curiosity about the supernatural or spiritual world—that realm that stands beyond human comprehension. Ambrose and Wallace both strive to know what lies beyond, while Reverend Wallace represents a compromise between their point of view and Alma’s. The novel’s title hints at Boehme’s idea that God communicates through His creation—that there is a message hidden in all things, and it is the task of humans to apprehend it. Reverend Welles seems content to look for this message as it manifests in his surroundings on Tahiti. Alma, in her version of evolutionary theory, arrives at her own conclusion about the signature of all things—the mechanism that drives all species—but she needs no divine authorship to believe in its truth.

Sexual experience is also presented as a type of knowledge throughout the novel. The theme first appears when Alma discovers the world of erotic sensation through the descriptions in the book in the trunk sent to the White Acre library. Retta, on the other hand, has acquired this knowledge not through detached study but through direct experience, as she reveals to Alma when entering the asylum. Prudence withholds knowledge about martial intimacies from Alma, citing her scruples. In a moment of revelation, Alma experiences a convergence of knowledge in the scintillating cave on Tahiti, where the resplendent mosses represent the scientific knowledge that she has pursued all her life. In this captivating place, she finally understands Ambrose and his desires, and her sexual encounter with Tomorrow Morning—the first and only time in her life that she engages in a sexual act with another person—represents a culmination of her own desires. Thus, the sensual realm appears throughout the novel as another realm of human existence: part of the natural world, even if it is not at all romanticized and not always joyful.

In sum, the novel presents knowledge as a prize, a virtue, and a chief satisfaction of human existence. For Alma, who has never been drawn to the spiritual, understanding the natural world around her is a pleasure all its own—the chief pleasure of her life. Contributing to that sum of knowledge is her life’s purpose and what lets her feel, looking back at the end, that her life has been well lived.

Western Conquest and Colonialism

Set as they are in the latter part of the 18th century and spanning most of the 19th century as well, the novel’s events unfold against a historical backdrop of white imperialism, colonialism, and sustained projects designed to subjugate and exploit nonwhite peoples and their homelands. While the novel refrains from delivering any moral commentary on these projects, it does not shy away from portraying the harsh realities of their existence or from noting the benefits that accrue to the conqueror at the expense of the colonized.

Alma’s father, Henry, embodies the true spirit of conquest throughout his varied life endeavors. The first major example of this mindset occurs when he participates in the British project to acquire resources from foreign lands and sails with Cook, whose goals are to find a Northwest Passage to benefit commercial enterprises and to discover and harvest useful plant specimens. Henry’s next quest to locate the cinchona tree, the source of Jesuit’s bark and the quinine that battles malaria, only succeeds because he learns from the Indigenous peoples how to survive in the climate. He dispenses with shoes and toughens his feet, he wears light clothing and learns to endure the changes in weather, and he bathes very day, “as the Indians do” (31). As he makes his way to Loxa, an area in the Andes, he has to “endure” his team of “sullen mules, ex-slaves, and embittered Negroes, whose languages, resentments, and secret designs he could only begin to guess at” (32). Like any typical conqueror focused on achieving his own aims, Henry has no interest in the cultural undercurrents and social inequities inherent in this project and is fixated instead upon the prospect of success. To this end, he bribes the bark cutters (locals who harvest the trees) and learns many survival skills from them, but although these local people keep him alive, he ultimately departs with his cuttings and seeds and makes no attempt to share his profits with the natives who aided his efforts.

In keeping with the overarching theme of Western conquest and colonialism, Alma also encounters the effects that European contact has had upon the Tahitians when she arrives in Papeete. She reflects on how the French explorer Bougainville named the island after Cytherea (340), the Greek island where the goddess Aphrodite was said to be born, thus casting this Polynesian locale in terms of Western myth. The syncretization of European influence and local custom initially strikes her as mere curiosity, as when she sees a man wearing a sailor’s woolen pea coat with a grass skirt and a man wearing trousers as a jacket (340). Only later, when Alma learns that the diseases brought by European sailors decimated the Tahitian population—to the point that the king turned away from their native religion in search of divine deliverance—does she comprehend the devastation wrought by this conquest and the price the natives paid for Europeans like Henry to discover gardenias, breadfruit, and the like. When she learns that Tomorrow Morning’s entire family was wiped out by disease, Alma feels the same sympathy that she felt for Reverend Welles when he learned that his first five daughters died in Tahiti.

Further images of Western conquest and colonialism greet Alma in Rio de Janeiro, where she feels “sick with shame” (334) upon witnessing enslaved men and women in manacles in the streets, being forced to markets where they will be sold as property. Before her voyage, the practice of slavery in the United States has been a simple fact of life to her; she leaves it to others, like Prudence, to take a moral stance or help those who have suffered. By the same token, Alma does not believe in superiority of one race over another. In Brazil, she stays in a hotel run by a mixed-race couple—“the first she had ever seen of such a thing” (333)—and it is a mere note of interest to her. Likewise, in Tahiti, she never considers the natives or their culture inferior to what she knows as a white Westerner. While explorers like Bougainville might romanticize South Pacific islands as paradises, Alma prefers technology. It is that—and the completion of her romantic quest for Ambrose—that sends her to Europe, to Amsterdam, and to work at the Hortus Botanicus—a place built, like Kew Gardens, on the resources that European travelers brought back from the places they visited.

Rather than portraying non-white cultures as being victimized by white people, however, the novel is more interested in the complexities of these exchanges. While mixed-race couples are an oddity in her world, Alma never wonders why Ambrose was drawn to Tomorrow Morning; his beauty and allure are evident to her. Moreover, Alma understands what Tomorrow Morning means when he describes himself as a conqueror. He has been successful in leading his mission, responsible for converting thousands, and she doesn’t question his abilities to enact his will wherever he wishes. For Alma, who is poised to originate her theory of competitive alteration, conquest makes perfect sense; it is how organisms succeed long enough to reproduce.

The Paradox of Self-Sacrifice in a Darwinian Worldview

The idea of self-sacrifice—a mechanism she has never observed in nature—plays a central role in aspects of Alma’s life and remains an unsolved question that ultimately prevents her from publishing her very “Darwinian” ideas in a formal setting. Prudence’s sacrifice in particular continues to baffle her. Beautiful Prudence denies herself luxuries, indulgences, and even money in order to help and protect families that have been harmed by American racial prejudices and enslavement, but the larger, more puzzling sacrifice is that of her own happiness. Alma reflects:

Her sister had forfeited love, only to go live her life in poverty and abnegation with a parsimonious scholar who was incapable of warmth or affection. She had forfeited love, only for brilliant George Hawkes to go live his life with a crazed little pretty wife who had never even read a book and who now resided in an asylum. She had forfeited love, only for Alma to go live her life in absolute loneliness (317).

The Prudence Problem is not just evidence contrary to Alma’s theory but is also, in a sense, Prudence’s own personal problem, for what she chose to give up yielded nothing useful in the end, only hurt and loss on all sides. Yet Alma never considers Prudence to be a victim; instead, she views her adopted sister as an intelligent, rational being who made a calculated choice and then lived with the consequences of that action without a word of complaint.

Like Alma, the novel takes a philosophical rather than a moral view of some of the more problematic and devastating outcomes of the 19th century and at the same time probes the discoveries and achievements of the era, from medical advances like isolating quinine to the abolition of slavery in the US after the Civil War and Darwin’s theory of evolution. The scientific and philosophical, rather than moral or sentimentalized view, is in keeping with the novel’s larger tone and focus.

Challenging Traditional Gender Roles

Although it is set in the 19th century and principally within domestic realms, The Signature of All Things pays very little regard to conventional attitudes concerning gender roles. Mostly, they are remarked upon only in how little bearing they have on the lives of the major characters.

The one concession Alma makes to the generally held idea that women have inferior intellects is, as a young woman, to publish her scientific papers under the name A. Whittaker. Alma does not wish to be relegated to the field of “polite botany” (the study of plants by women) as opposed to “botany” (the study of plants by men) (106). In the same section, the narrator notes that it was the opinion of some in Philadelphia that the Whittakers “had rendered their girls completely unmarriageable” by educating them (107). Prudence and Alma have no idea “how to flirt, to dance, and to court” (107). These were the customary activities for girls of their station, of whom Retta might be thought a more conventional example, for of the three girls, she alone likes to look at fashion magazines, drive about in her carriage, hold dinners, and go to the theater.

In all other respects, the novel exposes this period’s conventional gender roles as absurd and inadequate. Henry may run an empire, but he relies on Beatrix to organize his correspondence and keep his accounts in order. Beatrix’s canniness, industry, energy, and strict ethics hold the Whittaker empire together, and Alma, trained in the same fashion, steps into these roles upon her mother’s death.

In a similar defiance of traditional feminine roles, Prudence never uses the fact of her remarkable beauty to gain an unfair advantage in life, even when a local reporter, interviewing her about her abolitionist work, regards her as “a goddess in captivity—Aphrodite trapped in a convent” (186). Prudence may share Arthur Dixon’s sympathies and goals, but she is more than simply his companion, supporter, or prop, as the language of the day characterized a wife. When she signs over White Acre to the Abolitionist Society, Alma gives Prudence the task of running the school for Black children with no hesitation about her abilities or concern about her judgment and with full trust that Hanneke will provide guidance and support as needed. Prudence and Hanneke are two further examples of intelligent, productive, ambitious women in a society that gave women little credit for their inherent competence.

In further support of this theme, none of the men in the book exhibit a tendency for misogynistic behavior as such, and there are many illustrative examples throughout the novel. Ambrose has no compunction in signing a document, for Henry’s peace of mind, that forfeits his legal right as Alma’s husband to take possession of any property that might come to her. Reverend Welles is happy to let Sister Manu lead sermons at their chapel as she has an interest and talent for it. The reverend lives apart from his wife; as she prefers England for herself and her daughter, he honors her wishes. Dees van Devender, an educated man with a doctoral degree, is moved to tears by the argumentation of Alma’s treatise, recognizing the rational logic that characterized Beatrix.

Far from considering women as intellectually or in any other way inferior, an idea that was commonly accepted during the historical era in which the book is set, The Signature of All Things instead endeavors to portray women as being just as intelligent, gifted, and capable as men in generating groundbreaking theories that can add to the sum of human knowledge. The achievements and abilities of the various characters, men as well as women, show these 19th-century attitudes to be obsolete and irrelevant.

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