logo

55 pages 1 hour read

The House of the Seven Gables

Fiction | Novel | Adult | Published in 1851

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Preface-Chapter 4Chapter Summaries & Analyses

Preface Summary

Hawthorne’s brief preface presents The House of the Seven Gables as a “Romance” and not a novel. By “novel” Hawthorne is not referring to a modern definition of the novel but, rather, writing that attempts to represent experience “realistically.” Hawthorne is more interested in the reality of the human heart, which requires artistic license to be represented. Thus, The House of the Seven Gables will rely on creative representations in which the writer may “bring out or mellow the lights and deepen and enrich the shadows of the picture” (1). Another reason Hawthorne insists that his text is a Romance is because it connects the past with the present; how to interpret this connection will be left up to the reader.

The Romance has a moral—“the wrong-doing of one generation lives into the successive ones” (2)—but Hawthorne does not want to “impale the story with its moral” (2), either, as this is not effective. Finally, he asserts that the story has “more to do with the clouds overhead, than with any portion of the actual soil of the County of Essex” (3).

Chapter 1 Summary: “The Old Pyncheon Family”

Chapter 1 opens with the narrator describing a house in “one of our New England towns” (5). The house has seven gables and is known as the “Pyncheon house,” located on Pyncheon Street, with a wide elm in front, which everyone calls “the Pyncheon elm.” The narrator states that the house has always seemed sentient, not only from the outside but also from within. The narrator then provides a brief history of how the house came to be.

Pyncheon Street used to be Maule’s Lane, which was a cow path in the 1600s that ran in front of the cottage of Matthew Maule. Maule built his cottage in this spot—then far away from the town—because of a nearby spring of soft water, rare on this Massachusetts peninsula where the Puritans first lived. After 30 or 40 years, though, the town encroached on the cottage, and the property became desirable to Colonel Pyncheon, who asserted rights to the land and an adjoining tract of land. Pyncheon was determined, but so was Maule, who defended this bit of land that he had “hewn out of the primeval forest, to be his garden-ground and homestead” (7).

Maule was later accused of witchcraft. Colonel Pyncheon was among those pushing harder for these executions, and he was particularly vehement about Maule. Pyncheon watched the hanging of Maule from horseback, and right before he was executed, Maule pointed his finger at Pyncheon, declaring, “God will give him blood to drink!” (8). Both history and “fireside tradition,” the narrator insists, have preserved these exact words. The narrator desires that the reader should learn from the terrors of the witchcraft trials not to trust figures invested with power.

After Maule is killed, Pyncheon tears down his house and hires Maule’s son to build what will become the house of the seven gables. To celebrate the finished construction of the house, Pyncheon throws a party. He does not show up to greet his guests, however, so they break into his dressing room, where they find him dead at his desk, with blood in his beard and on his shirt. Some of the guests thought they saw someone fleeing the scene, but no one is certain of what they saw.

For the next 150 years, the Pyncheons own and live in the house. The colonel had purchased a huge tract of land in Maine, but his family is never able to claim it, though they keep trying. In the generation before the novel begins, one of the Pyncheons, Uncle Jaffrey, is allegedly killed by his nephew Clifford, who is convicted and imprisoned. Another nephew of Uncle Jaffrey becomes a judge and builds a house on the outskirts of town. The inheritance of the uncle goes almost entirely to this nephew, Judge Pyncheon (Cousin Jaffrey), with his niece, Hepzibah, receiving rights to live in the house of the seven gables. The only other Pyncheons remaining are the judge’s son, who is traveling in Europe, and a 17-year-old girl, the daughter of one of the judge’s cousins.

Unlike the Pyncheons, the Maules are unclear of their family history and legacy, and many of them do not even know that they are of Maule descent. The townspeople believe that the Maules may have supernatural powers inherited from Matthew.

The chapter concludes by returning to another description of the physical house and its surroundings.

Chapter 2 Summary: “The Little Shop-Window”

The narrator introduces the reader to Hepzibah Pyncheon as she wakes up in the morning. Hepzibah looks to people as if she has a permanent scowl, but it is only the result of her constant squinting due to near-sightedness. In fact, she is very tender-hearted.

As she is getting ready for the day, she repeatedly looks at a miniature portrait that she sighs over. This is not a portrait of her former lover, as she has never had a lover. As the sun rises, she heads downstairs, where a map of the Maine property the Pyncheons believe they should own hangs alongside a portrait of Colonel Pyncheon.

Hepzibah is becoming increasingly agitated as the sun rises. She has decided to reopen the little shop on the front gable, which a relative had run years ago. Hepzibah is desperate for income, so she has cleaned up the shop and has purchased small items, such as toys and gingerbread, to sell. She sets up her shop, but she is nervous and often stumbles about, knocking over her goods. After many delays, she finally forces herself to open the shop. She then runs into the living room, crying.

Chapter 3 Summary: “The First Customer”

Mr. Holgrave, who rents a room in the house and is a daguerreotypist, is Hepzibah’s first customer. He comes into the shop early in the morning to congratulate her and assures her that she is courageous. He tries to buy some biscuits, but Hepzibah refuses to take his money and gives him the biscuits for free. Next, a schoolboy drops in and tries to buy some gingerbread, but Hepzibah again refuses his money. He comes back later in the day, though, and she does charge him, feeling a flush of exhilaration in gaining her first actual sale.

The exhilaration does not last, though, and she overhears two men talking about her and her scowl. Many people drop into the shop during the day, but most of them are disappointed, as Hepzibah has not stocked what people want, such as yeast and root beer.

Toward the end of the day, she sees a wealthy young woman walking down the street and is briefly but deeply irritated by her presence, wondering how much of the world is required to maintain such ethereal delicacy. Hepzibah asks God for forgiveness for her thoughts regarding this woman, wondering if the shop will ruin her morally and religiously without bringing in much income at all.

Chapter 4 Summary: “A Day Behind the Counter”

Judge Pyncheon walks by the shop and pauses to take a look at it, but he does not go in. Though there is nothing exceptional about his clothing or his cane, he has an air of respectability about him, and his clothing seems to fit him perfectly.

An older man referred to as “Uncle Venner” by the townspeople, who makes his living by doing small jobs, stops in to provide encouragement to Hepzibah. He has just seen Judge Pyncheon and intimates that Hepzibah’s dire state is tied to the judge, her cousin. Hepzibah assures him, however, that her state of affairs is not her cousin’s fault. She and Uncle Venner get along well.

By the end of the day, Hepzibah has made a little money, but she has also given away a lot of her merchandise. A young woman arrives at the front (not shop) door. It is Phoebe, the daughter of Hepzibah’s cousin in the countryside. Hepzibah decides that Phoebe can stay for one night only.

Preface-Chapter 4 Analysis

The eponymous “House of the Seven Gables” is introduced from the very start of the novel, becoming both the novel’s main setting and the symbolic embodiment of the dark family history that dwells behind it. In describing the house and its history, the narrator also immediately introduces two key themes, The Legacy of Violence and The Influence of the Past on the Present.

The house is situated historically and genealogically, as the narrator describes how it has “descended” from Maule’s cottage to the large house in what is now the middle of the town. The house is a gloomy, dark, and possibly haunted place, with its forbidding atmosphere not just the result of the architecture but also of the family history the house represents. Significantly, it was Colonel Pyncheon’s unjust accusation of witchcraft that made seizing the land for the house possible, introducing The Legacy of Violence into the text. In exploiting the public hysteria of the Salem witch trials for his own personal gain, Colonel Pyncheon is depicted as a cynical, cruel man who facilitated the murder of an innocent man and the rightful owner of the property, Matthew Maule. In erecting the house on the stolen land, Colonel Pyncheon thus creates not just an estate for his heirs, but an inadvertent monument to his crimes.

The legend of Maule’s “curse” and the rumors of the alleged supernatural abilities of Maule’s descendants are also tied up with this original act of nefarious acquisition, suggesting that the descendants of both clans remain indelibly shaped by the actions and experiences of their ancestors. In relating both the house’s history and the rumors about the inherited curse, the narrator introduces the theme of The Influence of the Past on the Present. In the minds of the townspeople, the tensions between the Pyncheons and the Maules have never been fully resolved. The death of Colonel Pyncheon—which appears to be a possible murder—is mirrored in the apparent murder of Uncle Jaffrey many generations later, suggesting that cycles of violence are being perpetuated down the family line. These implied parallels suggest that even the current-day generation of the family remains in the shadow of Colonel Pyncheon’s original crime, with the presence of Colonel Pyncheon’s portrait being a symbolic embodiment of the influence his legacy continues to have in the family (See: Symbols & Motifs).

Hepzibah is the one character who has both grown up in the house and currently lives there. Hepzibah’s only security is the house, which she is legally allowed to live in until she dies. However, this security of having the house to live in does not ensure its upkeep. Although the house is on Pyncheon Street with the Pyncheon elm in front, suggesting that the Pyncheons have “branded” the town with their family name, Hepzibah’s current situation is a far cry from the grandeur and importance the greedy Colonel Pyncheon envisioned for his descendants. Hepzibah’s opening of the shop to try to make some money implies that her financial situation is in disarray, suggesting that the Pyncheons have come down in the world over the generations.

Despite her appearances and her infamous “scowl,” Hepzibah is a kind woman, and several people come by to wish her well. Hepzibah’s movement into the shop requires a literal opening of the house and also an opening of herself to the outside world. Her tender-heartedness is demonstrated in her consistent “gifting” of her merchandise to the townspeople. Hepzibah’s kind-hearted and non-materialistic qualities stand in sharp contrast to the violent greed of Colonel Pyncheon, which suggests that she, at least, has rejected the violent code of her ancestors.

While Hepzibah may look angry or cold-spirited, she is not; in contrast, her cousin, Judge Pyncheon, stops to look into the shop and bears all the appearances of an important and respectable man, yet there is something unsettling about him. His careful avoidance of interacting with Hepzibah or patronizing the shop suggests that he may have unsavory motives toward the residents of the house of the seven gables, foreshadowing the ongoing family tensions that will become more obvious and central as the novel continues.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 55 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools