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Stones represent several things in the story, including Reef’s changing perspective and moral evolution. The most significant stone is the one he throws into traffic from the overpass as retaliation for the city’s incoming demolition of The Pit. That stone changes Leeza’s life and causes terrible damage to her body.
Reef then reveals that he loved the idea of the coral reef when he learned about it in fourth grade. The reef is a protective barrier of stone. He wanted to be the reef that kept his grandmother safe: “It was his grandmother who had somehow always made the hardness bearable, and it was she who had placed the first stone in his hand” (32). She also gave him other associations with stones. She encouraged his interest in collecting rocks and used them as an analogy that would help him realize that being different can be a good thing.
Nan also gives Reef the sick-stone, which helps him with nausea:
There had been other sick-stones after that. And stones whose purpose was to prop open doors, hold up windows to let the breeze blow through, and level a chrome table whose leg had bent when his grandfather had rammed it against the kitchen wall. And there had been stones that had no purpose except to be stones (33).
In Chapter 27, Leeza has her chance to reflect on stones when she attends church with Jack and her mother. She thinks about the preacher’s caution that people should not throw stones if they have sins.
Finally, the novel concludes with Reef holding a stone. This time, he chooses not to throw it. He takes it with him to his class presentations as a reminder of his story and progress. He has regained the ability to indulge in his love for stones and his fondest memories of his grandmother and to strip away the associations linking him to his crime.
The most troubled characters in the novel are adolescents without protectors and mentors. Typically, parents or other authority figures instill moral codes in children. They teach them lessons they can use to weigh and evaluate their decisions. Reef is exposed to two sets of life lessons in the novel. He professes not to have a code or a plan beyond self-interest, but he operates within two sets of rules. The first is a series of life lessons that he often repeats, which came from his grandfather: “What doesn’t kill you makes you stronger” (63); “Shit happens” (74); “The less you carried with you, the less you had to lose” (97); and “The bigger they come, the harder they fall” (102).
These combative and cynical rules allow Reef to justify his worst decisions and impulses. Contrast the life lessons from Reef’s grandfather with Frank’s rules for the home: “Respect yourself. Respect others. Be accountable. Honor your commitments. Do the right things” (106). Reef’s grandfather’s life lessons symbolize how to pursue an unhappy life of conflict, belligerence, and violence. Frank’s rules emphasize self-worth, standards, structure, and a commitment to good choices. His rules lead to a positive identity and confidence.
The Pit is the abandoned, decrepit hotel where Reef, his friends, and other teenagers hang out. They treat it as if it is their territory. It symbolizes the decay of their own lives and the deterioration of their prospects. When the city condemns The Pit and schedules it for demolition, it enrages Reef and leads to the fateful throwing of the stone that hurts Leeza. Irrationally, they describe The Pit as their territory simply because they spend time there.
Beyond the actual hotel known as The Pit, a pit has connotations of darkness, imprisonment, and a place where people can be trapped or forgotten. Reef’s life has been a pit of suffering. Just as the city rules that The Pit must be destroyed to make progress in the area, Reef’s life begins to evolve into something else that can become productive for society.
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