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Content Warning: This section of the guide discusses murder, suicide, and sexual assault.
Early on a Monday morning, an unnamed “we” enters a presidential palace—empty of people and full of decay. While they were unsure for centuries whether the palace was truly inhabited, now the visitors cannot deny its ruin. Exploring the palace, the guests discover tables in disarray, clothes strewn across the floor, and cobwebs and vegetation along the walls and crevices. The palace, now home to cows and their dung, overlooks a city visible through the windows and a sea no longer full of water but dust. In an office hidden in the wall, the body of the despot lies face down on the floor with his right arm under his head to cradle him to sleep—a position that he takes every night. Once discovered, and covered in lichens and parasites, the narrator recounts that this is the second time the despot has been found dead. It may not be the General at all, since no one is sure what he looks like.
Before his death, the General, paranoid and vulnerable, finds someone playing a parody of him in the crowd to grift citizens of the city. The man, Patricio Aragones, is brought to the palace where the president is appalled by their likeness and, upon further inspection, sees that even the lines on their palms match perfectly including their lifeline. Seeing that their fates are tied, Patricio is spared and soon (though this wasn’t the initial intention of the General) becomes his double. He is almost assassinated six times and undergoes brutal physical alterations to match the General more closely.
This leaves the General to his own meanderings—mingling with the public, playing dominoes with the many dictators whom he houses who have fallen from power and glory, and visiting his mother, Bendición Alvarado. During a cockfight, the General sees an evil omen: a cock tearing off and eating the head of its opponent while the crowd cheers. Already deluded with paranoia, the General believes that the tuba player, serenading the rooster while it murders its opponent, is plotting against him. The General has him tortured and, in the meantime, sends his double into public for fear that he’ll be poisoned. Even with these safeguards, the General remains anxious and knows, regardless of what his men tell him, that plans for his ruin are being made behind his back.
Finally, the day comes when Patricio dies from a poisoned dart. As the General moves through the crowds, the townspeople—who are not aware of where the General is, or who he is—are joyful at the apparent news of his death. When the General visits Patricio, he tells the General the truth: that he never loved him as he pretended. Patricio recounts the torture that he underwent to more accurately impersonate the General, including drinking turpentine so that he’d forget how to read and write. He tells the General that no one loves him; he is president of nobody, and he might as well beg for death since his power is false and yet a prison. If the General were to abandon his seat, only death would come to him by the people whom he thinks love him.
Patricio dies with only the General beside him, covered in his feces and tears. The General stages a funeral for Patricio as himself and is horrified by the sight of “his” body, decorated and prepared for death. He’s horrified and mystified, too, by the response of the people: both his admirers and his enemies drag the corpse from the funeral pyre and drag it through the streets, attacking the ceremony and the palace. The townspeople burn his pictures and throw their waste at the body as it is dragged through the streets, and the General curses death and what it can take from him. As various parties, generals, and ambassadors join to determine what follows the General’s death, the General reveals himself. Although everyone attempts to flee, the presidential guard massacres them. His return from death is revered as immortality, verifying his god given right to preside over this territory.
The General tracks down and tortures everyone who celebrated his death, feeding them to crocodiles or skinning them alive, and he rewards those who mourned him. The General convinces himself that the revolt was the fault of a few generals attempting to steal power and not because the people hated him as Patricio said. To restore order and give the people more to do, the General provides entertainment, education, and invents more labor. Everything seems to return to life as it was before the mutiny. The General continues to visit the former dictators to whom he has provided asylum. He reflects on the arrival of colonists trading useless wares with his people for exports that will, in turn, make the colonists a lot of money. The General never actually sees the colonists.
Part 1 opens using the conventions of gothic novel, with scenes of decay, rot, and decrepitude. The narrator observes in the first sentence that “at dawn on Monday, the city awoke out of its lethargy of centuries with the warm, soft breeze of a great man dead and rotting grandeur” (1). The reader enters, through the senses, a desolate palace filled with the smell of a rotting corpse on a warm breeze—and this scent only worsens as the story unfolds. The reader is introduced to a palace in disarray, covered in fungi and cow dung—empty save the lone body found by the narrator. Each object that the narrator encounters becomes significant later in the novel, like the wind machine gifted to the General in place of the sea which he sells to repay foreign debt, or a palace courtyard that housed people with leprosy for so long that their smell still lingers. The narrator’s account of the presidential palace reflects the corrosive, degrading capacity of power and introduces the theme of The Impact of Corruption on the Human Body.
The narrator’s confusion about whether the body discovered is that of the General’s is the result of a confluence of factors—both the General’s attempts to evade his own death and the lore and confusion surrounding his regime. The sense of instability and ambiguity surrounding the General throughout the novel underscores the theme of The Pursuit of Power. The earlier efforts on behalf of the General to use a double in his stead who should receive the brunt of attempts on his life cause confusion both when Patricio is alive and when he dies. When Patricio does die, he says: “I’m […] the only one honorable enough to sing out to you what everyone says that you’re president of nobody and that you’re not on the throne because of your big guns but because the English sat you there” (24). The general’s power filled a vacuum following the exodus of colonial powers and is upheld or overrun by foreign influence many times throughout the novel, suggesting that the power he has was never and will never be his own. While the people of the nation do demonstrate their love for the General (this is particularly true of the few people who honor him after his first death), there are many more that wish to see him fall.
Patricio is the first to force the General to encounter The Inevitability of Death and, therefore, the illusory grip that he has on the power. This is exemplified clearly when the General, unbeknownst to everyone around him, views what’s supposedly his body as it’s prepared for viewing and burial. The General “felt raped and diminished by the inclemency of death toward the majesty of power, he saw life without him, he saw with a certain compassion how men were bereft of his authority” (27). His pretended death both terrifies and emboldens him; he sees where fate will lead him, and that power can do nothing in the face of death (which is also true of the opponents whom he slaughters). The General believes that, without him, the state of the nation would be much worse. Death is a constant and certain threat to power throughout the novel, beginning from the first page.
This relationship between death and power is exemplified during the immortality hoax. The General’s response to the jubilation following his perceived death is swift and without mercy, except for those who honored him in death. And in the midst of his brutal return, no one questions whether they’ve been tricked—they only bestow upon the General the gift of immortality, imagining that their savior had returned. This once more ignites the worship of the people, if only for a moment. By purporting to subvert The Inevitability of Death, the General becomes the stuff of legend which further affirms his place as ruler of their lives and destinies.
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