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28 pages 56 minutes read

Queen Mab: A Philosophical Poem

Fiction | Poem | Adult | Published in 1813

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Book IVChapter Summaries & Analyses

Book IV Summary

A beautiful scene reveals nature’s harmony in every aspect of the world, from the “stars unutterably bright” (Line 4.5), to the hills covered in pure white snow. However, warfare disturbs this harmony—with it, a “tempest unfolds its pinion o’er the gloom” (Line 4.29), transforming peace into chaos. With their weapons, armies sully the beautiful visuals of nature, defile the sanctity of the sky with projectiles that set fire to “the arch of heaven [and create] dark red smoke / Blotting the silver moon” (Lines 4.34-35), and unleash endless horrific noise consisting of “the jar / Frequent and frightful of the bursting bomb; / The falling beam, the shriek, the groan, the shout” (Lines 4.41-43). After this manmade cataclysmic event, calm returns. The morning light washes over the bodies of the many soldiers who died.

Queen Mab is surprised to see Ianthe’s soul recoil at this sight—unlike Queen Mab, Ianthe’s spirit feels empathy for her fellow humans. Queen Mab explains that although what they’ve witnessed is miserable, this evil is not “irretrievable” (Line 4.75). Instead of being caused by nature, and being thus unchangeable, wars result from human’s evil, caused by leaders who wage it out of selfish pride. However, this means that eventually, “the poison-tree will fall” (Line 4.83), leaving behind a new paradise where people will be free of such rulers: “A garden shall arise, in loveliness / Surpassing fabled Eden (Lines 4.88-89).

As nature restores peace following the terror of war, Queen Mab describes with indignation the effect of this evil on children: Even before a child can say their mother’s name, they are surrounded by evil and crime. Parents cannot save their children from a society created long before. Queen Mab chides the tyrants who perpetuate societal ills, calling them “incapable of judgment, hope, or love” (Line 4.256).

Book IV Analysis

This section describes the relationship between nature, virtue, and happiness. Being one with nature can inspire humans to ruminate on their place in the cosmos and develop an appreciation for the spirit that binds all life. In nature, the goodness of the world remains evident. However, due to civilization’s corrupting influence, humans are cursed to exist outside of this natural goodness. In response, they wage war and destruction, uprooting the purity of the natural state. The only good news is that this kind of disturbance is always short-lived, since rulers’ life spans are finite. Each time afterwards, nature restores the world to a more peaceful state, which could be permanent if people became more aware of how to live naturally.

Custom, habit, law, and tradition—the features of civilization that eventually bring about war and its accompanying miseries—have a particularly destructive influence on young people, defiling childhood innocence from birth: “force and falsehood hang even o’er the cradled babe” (Line 119). Children are exposed to and begin to imitate the evils of the world so quickly that their parents cannot shield them from these enemies of nature’s goodness. Again, though, Queen Mab stresses that none of the things that beset children are set in stone—there is always the potential for virtuous acts to redeem these evils, though people are often scared to face what it would really take to undo the social order: people “fear the cure, though hating the disease” (Line 4.165). Still, the poem urges destroying the false and unjust societal order for a more humane and natural society to be built.

Shelley’s radical politics continue here, as Queen Mab accuses kings and the state, and priests and organized religion of hypocrisy, identifying these institutions as the scourge of society because they promote jingoism and terror through their laws and moral codes. “Soul is the only element” (Line 4.140) that can overcome these conditions to provide a refuge for the innocent; if humans reject the spiritual side of life, their days become a living death.

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