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When Colonel Aureliano Buendía is captured and brought to Macondo to be executed, Úrsula is making candy in the kitchen. He gives her all his poetry about his dead wife, Remedios, and tells her to burn it. She promises to do so and leaves him in jail with a revolver.
The military is afraid to execute the colonel, fearing the reaction of the people of Macondo, so they repeatedly delay it. A sex worker tries to avoid taking the military men as clients and tells one of them that whoever carries out the sentence will die afterward. Finally, an official order arrives to shoot the Colonel, so the officers assemble a firing squad.
On the day of the execution, Rebeca wakes up before dawn and waits to see the colonel. The firing squad brings him up and stands him against the wall. Just before they fire, José Arcadio comes out of his house with a shotgun. The firing squad doesn’t resist and leaves town—along with the colonel, who is no longer a prisoner—to free an imprisoned revolutionary general who is on his side, creating a new war. When they arrive, it is too late; the general was shot already. They continue traveling to collect more recruits; their adventures create a mythology around the colonel.
Eventually, the colonel returns home to Macondo, where he finds Arcadio's children by Santa Sofía de la Piedad: the twins José Arcadio Segundo and Aureliano Segundo and a daughter, Remedios the Beauty. Pilar reads his fortune, which warns him to "watch out for your mouth" (135). He drinks poisoned coffee but lives. His fellow colonel, Gerineldo Márquez, resolves to marry Amaranta; he asks her, and she refuses, but he says he will convince her eventually (138).
José Arcadio and Rebeca move to a large home on the town square. One afternoon, José Arcadio dies in their bedroom. Rebeca claims she saw and heard nothing. Blood from his body travels a path through the streets of Macondo and into Úrsula's kitchen. When she follows it back to the source, she finds José Arcadio dead and smelling of gunpowder, although there is no wound on his body and no weapon. His body continues to smell of gunpowder after death; Rebeca retreats into their house and rarely emerges for the rest of her life.
Near death, José Arcadio receives daily social visits from the ghost of Prudencio Aguilar. When he dies, tiny yellow flowers fall from the sky like rain.
The war between the Conservatives and the Liberals reaches its conclusion, although Colonel Buendía wishes to keep fighting. He sends word to Márquez to pick five men and prepare to leave. The two of them lead guerilla revolts at sporadic intervals.
A new school is built in Macondo, attended by Aureliano Segundo, José Arcadio Segundo, and Remedios the Beauty.
Pilar and Aureliano’s son, Aureliano José, and his aunt Amaranta have a physical relationship intermittently throughout his teenage years, sleeping naked in the same bed but never consummating the relationship due to her concerns about incest and the fear of having a child with a pig’s tail. When she rejects him, he goes to sleep in the town military barracks. Later, he goes off to war with the federal troops, but he deserts to return to Macondo and marry her. Aureliano José comes into her room and tries to coerce her into sexual activity, but she rejects him, locking him out of her room permanently.
Women begin bringing Colonel Aureliano Buendía's sons to be baptized in Macondo, one by one. He has 17 children with the first name Aureliano and the last name of their respective mothers. Úrsula records their names and other identifying information in a ledger so the colonel can look for then when he returns if he wishes.
Aureliano José goes out to the theater and is fatally shot when he refuses to comply with soldiers’ search of the audience. The captain who shoots him is killed, and over 400 men come by to shoot his dead body.
Colonel Aureliano Buendía comes back to Macondo, captures it, and places the Conservative government there on trial. Úrsula tries to save the mayor, General Moncada, who is a personal friend of the family. She fails, although the colonel agrees to send his possessions to his widow, and Moncada is executed.
Colonel Gerineldo Márquez pursues Amaranta. He visits her consistently for several years, even though she continually rejects him.
Colonel Aureliano Buendía appears to lose his grip on the sequence of events that occur in the war and is no longer invested in political decision-making. War seems to bore him. He decides that no one can come closer to him than 10 feet, so his aides draw chalk circles marking that distance wherever he goes. He calls an assembly of the rebel Liberal commanders; an upstart Indigenous general threatens his power.
Upon his return to Macondo, Buendía's ennui continues. When a Liberal group travels to see him to discuss the stalemate of the war, he ignores them for weeks. When he finally sees them, he caves to demands that echo those of the Conservative establishment. Colonel Gerineldo Márquez speaks up in disagreement, and Buendía sends him to prison, where he plans to execute him. But on the dawn of Márquez's execution, Buendía has a change of heart. Instead of executing his friend, Buendía asks him to "help me get this shitty war over with" (170).
In the week before the armistice, Colonel Aureliano Buendía destroys all of his possessions and erases his presence from his family home. He buries his weapons and burns a lifetime's worth of his poetry. He asks his doctor where his heart is, and his doctor draws a circle on his chest with iodine.
On the day of the armistice, the colonel signs all the documents and retires to a tent, where he shoots himself in the chest. However, his doctor lied to him about the location of his heart, so the bullet goes through cleanly, and he lives. He writes angry letters to the president of the country about pensions for former combatants, and he is confined to his room in Úrsula's house.
Since childhood, others have mistaken brothers Aureliano Segundo and José Arcadio Segundo for the same person. However, when they are children, Aureliano Segundo spends a great deal of time visiting with the ghost of Melquíades in his former workshop, whereas José Arcadio Segundo wants to witness an execution. He professes to be a Conservative and becomes a devotee of both Catholicism and cockfights.
Petra Cotes arrives in Macondo and organizes raffles. She, too, thinks that the brothers are the same person, and she has sex with both of them. All three end up with a sexually transmitted infection; when they recover, only Aureliano Segundo keeps her as his mistress. He is convinced that Petra has a lucky effect on his fields and his farm animals: Animals give birth to twins and triplets because of her presence. When Petra raffles off rabbits, they procreate so rapidly that they no longer fit into the barn.
José Arcadio Segundo wants to set up a boat line to Macondo. He works on the path of the river until it's navigable, but he brings to town only a log raft with French ladies as passengers. They put on a carnival, and Remedios the Beauty is named queen. Aureliano Segundo walks the streets dressed like a tiger and roaring. During the carnival, a golden litter bearing a beautiful woman named Fernanda del Carpio is carried from the swamp into Macondo. Aureliano Segundo seats her next to Remedios the Beauty to share the title of carnival queen.
During the carnival celebrations, someone in the crowd shouts in favor of the Liberal party and Colonel Aureliano Buendía. These shouts incite shots, and many people are killed. The perpetrator of the shooting is not entirely clear, although many denizens of Macondo suspect the culprits are the men who accompanied Fernanda to town. She returns to her hometown, but six months later, Aureliano Segundo marries her.
Úrsula scolds Aureliano Segundo for not being responsible with his extra money, so he papers her entire house in one-peso currency. Úrsula prays for poverty; instead, one of the workers removing the currency from her walls breaks a statue of St. Joseph that turns out to be full of gold coins. Colonel Aureliano Buendía retreats to his workshop and spends most of his time crafting tiny golden fishes for sale. He spends his elder years quietly.
In these chapters, Colonel Aureliano Buendía finally faces the firing squad, the image that opens the novel. The book to this point fills in the gap between the inception of the Buendía family via the marriage of José Arcadio Buendía and Úrsula Iguarán and the moment when Colonel Aureliano Buendía actually goes before the soldiers. The construction of narrative time continues to be fluid, and the way the story is told functions largely in a nonlinear fashion. Time loops back on itself; parts of the same sequence unfold in fragments or unexpectedly. Story elements are mentioned far earlier than when they appear chronologically, as in a flash-forward, or long after they appear, as in a flashback.
Omens, especially of return from travel or of death, recur throughout the text. The omen that whomever on the firing squad shoots Colonel Aureliano Buendía will be hunted down and killed functions as both prophecy and promise. Under the guise of simply interpreting a sign from a higher power, the people of Macondo can threaten the invading military.
In these chapters and elsewhere in the text, Pilar also foresees slivers of the future through both omens and the reading of tarot cards. Eventually, she draws so close to the Buendía family, with her history threaded through theirs, that she claims to no longer need the aid of cards to foretell future events for any member of the family. Additionally, in macrocosm, the unfolding of time and history throughout the book correlate with one long omen from the pen of Melquíades, although this information is not revealed until the book's final chapter.
García Márquez often uses a character’s death to end his character arc but not to catalyze a new series of events. For example, José Arcadio dies mysteriously in his own bedroom while enshrouded in the smell of gunpowder, yet his death does not generate a new narrative thread. The other characters do not question it, accepting a fatalistic view of life’s events, although every character in the Buendía family wants revenge when the life of Colonel Aureliano Buendía is threatened.
The narrative arc regarding Amaranta's virginity continues, as she briefly experiments sexually with Aureliano José before barring the door of her bedroom, but their encounters are presented as a battle to which she resists surrendering. This incestuous relationship echoes later in the relationship between their namesakes, Amaranta Úrsula and the last Aureliano Buendía. Amaranta rejects Aureliano José and stays single for the rest of her life; continuing the pattern of patriarchal stereotypes, García Márquez portrays her as a bitter single woman.
Men, on the other hand, receive veneration from the other characters in the text, especially when they die by suicide. After signing the armistice in Chapter 9, the Colonel attempts suicide. The other characters laud him for the attempt, which they see as a form of martyrdom. Pietro receives pity and sympathy from the other characters when he, too, dies by suicide after Amaranta rejects his marriage proposal.
In an echo of his namesake, José Arcadio Buendía, José Arcadio Segundo attempts to connect Macondo to the wider world beyond the village and swamp. Though both of them fail at their explicitly stated goal—in José Arcadio Segundo's case, to build a stable ferry system that connects Macondo to the wider world—they succeed at something else. In the case of José Arcadio Segundo, this is to bring French women to Macondo. The women bring cultural diversity to the town; they also develop a successful red-light district.
As the era of a war-torn Colombia fraught with town-to-town fighting between Liberals and Conservatives comes to an end, the text introduces a monarchical image when Fernanda is carried into town wearing a tiara and fur. Recognizing her as co-queen with Remedios the Beauty is a peacekeeping gesture aimed at preventing further bloodshed and bringing stability to Macondo. However, this effort fails, as there is a massacre at the event; the shooter is never identified, and the new queen is carried away for her safety, her clothing bloodstained. Life in Macondo continues to be controlled by fate and unrestrained forces and resistant to the Buendías’ efforts to bring order and peace.
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