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Persephone settles into her new life with Hades, exploring his home library and continuing to investigate the vibrant life of the lower city. One evening, she wonders aloud why Hades has refrained from another public display of their sexual relationship. Hades tells her that he is enjoying their personal time, but admits it is possible another scene between them might change things. As he teases her with the prospect of cunnilingus, he tells her he needs to know her next fantasy in order to plan. Hades pauses his attentions when he can tell she is hesitant to explain.
As Hades works to bring her to orgasm, Persephone admits that she wants to be the couple on display, in full visibility. Hades promises her this, and anything else she can imagine. As they have intense sex, he says that she will be on display in whatever ways he can envision, because “you, little siren, are mine,” and she says, “If I’m yours […] then you’re mine too” (242).
Afterward, they prepare for bed, and Persephone asks Hades to undress in front of her. She is stunned by his scars, but she assures him that he is still more than attractive to her. She promises him in turn that he will have his vengeance, and Hades says, “I don’t want to beat him. I want him dead” (245).
Hades wakes, stirred with tenderness for Persephone even as he reminds himself that their arrangement cannot last. He thinks of his preparations for the lower city’s coming crisis and considers that Zeus will likely act soon after their next public spectacle. He admits that the political benefit has become secondary to their mutual desires. He realizes that he has begun to fall in love with her. Persephone wakes and asks if he is thinking of the supply problems, apologizing for her thoughtlessness and upbraiding herself for impulsively running away and endangering others. Hades assures her that she is making the best decisions she can, and that if she claims to believe in him, she should accept his faith in her.
Persephone changes the subject, telling him that she wants them to have sex without condoms, since she has an intrauterine device, or IUD, and they are both tested regularly for sexually transmitted infections. She assures him that her preference is not an ultimatum, however, telling him, “if you’re not comfortable with it, that’s okay too, I promise it is” (250). Hades is deeply touched by her concern and empathy, something he rarely experiences as a leader others depend on. They agree to stop using condoms, and Persephone enthusiastically initiates sex. Hades is nearly overwhelmed by the intensity of their bond, and they kiss tenderly afterward.
Persephone reflects on her afternoon with Hades. They visited many shops other than the greenhouse, as part of Hades’s effort to verify his citizens are safe and comfortable amid the supply challenges. Persephone approves of his concern and care, seeing it as a mark of his more authentic leadership. They stop at a pet store, where the owner, Gayle, greets Hades warmly. Persephone, a lifelong dog lover, is drawn to a litter of puppies. The owner is somewhat skeptical of her, clearly associating her with the current social upheaval.
Persephone tells Hades that he deserves the companionship of a loving pet, and he decides to take the litter. Persephone comforts herself with the idea that Hades will still have the dogs after she departs Olympus in the spring. As they return home with the dogs, Persephone is startled to realize that she feels like this is her true home. She resists the idea, feeling as though that would mean “I’ll have traded one beautiful cage for another” (262).
Hades, now the point-of-view character, is playing with the puppies when Persephone shows him her dress for the evening. She is in a form fitting black gown, and he is overcome by her beauty and the way the dark color showcases her hair and eyes. Persephone tells him the puppies need names, and he names the first one Cerberus. When she hesitates to name the others because of her departure, he tells her that if anything about their lives were different, “I would move Heaven and Earth and the Underworld itself to keep you with me” (266). She reciprocates, telling him that in any other world, she would be his partner and remain in his home. They are both nearly brought to tears, and he tells her, finally, to name the dogs so that he can associate her with them. She chooses Scylla and Charybdis, making him laugh, as both are mythical monsters, not domesticated pets.
They walk toward the public sex space together, and Persephone admits to nervousness. Hades assures her that they can design another scene, and she tells him, “I know I don’t have to do anything I don’t want to when I’m with you,” suggesting that they decide more when they arrive (268).
On the stage, Hades senses that Persephone has adopted her customary air of cool and calm, as if she were at an event in her old life. He tells her that they will be on the throne, not on full display, and she is touched that he can sense her ambivalence. He assures her that he respects her fantasy but that her consent is what makes it truly powerful. Confident once more, Persephone tells him to sit on the throne while she performs oral sex. She tells him that she is eager for the display and that they are mutually bound by desire, whatever the audience thinks.
His enjoyment is diminished by the audience reactions, as he senses some of the observers believe he is harming her or merely using her as a political tool. Persephone pauses briefly to remind him, “Stay with me Hades. We’re the only ones who matter tonight” (273). After his orgasm, he surprises Persephone by seating her on the throne and kneeling in front of her.
Hades stays on his knees, an unusual position given the political purpose of the demonstration, and his usual dominance in scenes. He begins to perform oral sex, and Persephone watches the audience, limited to watching while Hades holds all the power over them both. After bringing Persephone to orgasm, Hades commands the audience to understand “the truth of what happened here tonight. She’s mine […] and I’m hers” (279). Persephone is stunned by this new political and personal commitment, and Hades ushers her from the room, dismissing the idea of talking to anyone. Hades is still somewhat overwhelmed, speaking incoherently about how everyone there assumes there is no meaning behind their actions. Persephone sits in his lap to offer him comfort, and he admits that he will miss her when she leaves.
Persephone begins to truly contemplate what she will lose when she departs Olympus and the terrible circumstances that have brought her here. In most situations, she would have never met Hades or seen the sides of her personality he brings out. Persephone realizes that she has fallen in love and understands how much she too will lose. Rather than speak of her feelings, Persephone asks him to kiss her, and they have sex. When Hades tells her to remember him when she has sex with future partners, Persephone is hurt, but does not pull away. Afterward, he apologizes—for hurting her, or, perhaps, for their emotional entanglement, and she tells him that she has no regrets.
As Persephone and Hades find their original bargain has become a genuine attachment, Robert uses the mythological aspects of the text to demonstrate how their intimacy takes shape. In mythology, Persephone’s initial departure for the Underworld is a kidnapping that causes authentic grief to her mother, not only political machinations. Hades is a darker god, subordinate to Zeus’s command of the heavens, with his hellhound, Cerberus, as his sentry. Here, Persephone is there only of her free will, and the dogs are a sign of her love for Hades, not her fear. Persephone’s recognition of the loyalty Hades commands, and his role as a true protector, underlines not only Robert’s rewriting of myth, but Persephone’s new sense of the world and her values. It also signals the themes of Power and Loyalty and Forbidden Love and Redemption, as loyalty is central for both Hades and Persephone, both in their relationships with each other and with others. While Hades has the loyalty of his people, he does not misuse it; similarly, he does not misuse Persephone’s loyalty for and trust in him. Their relationship is very mutual and reciprocal in all ways, and their forbidden love offers an avenue for redemption and mutual growth. Moreover, their forbidden love rewrites the Greek myth, which relies heavily on the absence of consent wherein Persephone is taken by force and then tricked into staying with Hades. Contrastingly, Persephone cannot bear the thought of leaving Hades in the spring, and consent is paramount in their relationship, as well as in the development of Persephone’s own autonomy.
Chapters 20-24 also highlight the theme of Tensions Between Public Personas and the Authentic Self. While earlier aspects of the narrative emphasized the contrast between Persephone’s saccharine public image and her sardonic personality and sexual freedom, here Hades finds that his own image has become constraining. He comes to accept comfort and support from Persephone privately—shown first in his ability to show his scars and embrace barrier-free sex. However, the role of a dominant who is also frightening no longer suits his purposes because his emotional involvement with Persephone means that their kink roles are a performance of mutual desire and respect, not merely a re-enactment of political power. Persephone reminds Hades during the scene that they know the truth of their relationship, allowing him to realize that he wants to showcase their mutual bond. When Hades kneels before Persephone and declares that he is hers, he makes a statement about their relationship and demonstrates Power and Loyalty. While this theme takes on several meanings in the text, here, power and loyalty interplay as Hades desires to share his power with Persephone because of the loyalty he feels toward her. He is not content to deliver a performance that leaves audiences believing that this is a mere political power move: He seeks to display his authenticity to the audience while simultaneously declaring his private growing love for Persephone, thus demonstrating the interplay of Tensions Between Public Personas and the Authentic Self. When love becomes involved, the desire to merge public persona and the authentic self intensifies. Before meeting each other, Persephone and Hades had not known romantic happiness, but through their forbidden love, they are forced to confront the growing conflict between persona and authentic self. That they are able to do so together demonstrates their compatibility and love.
At this point, both characters are emotionally torn by the idea of separation, longing for an easy escape to a more normal life where a decision to be together belongs to them alone. In myth, Hades tricks Persephone into remaining with him for half the year by eating a pomegranate—explaining the fruit’s earlier role as her choice for her safe word. Notably, she never uses it, though Hades reminds her of it often. Their vision of an alternate future for themselves as any other couple is a glimpse into another genre—a kind of fairy tale where they can transform more permanently. The growing sense of grief and doom highlights that the narrative’s political and personal tensions are looming, leaving the reader intensely curious as to how the couple will achieve the promised happy ending. The scene is set for conflict and climax.
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