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Introduced by Professor Marty Burkett, the Ritual of Chüd requires Jamie to literally embrace the evil that haunts him. Only when he embraces Therriault/The Deadlight can he take it into himself and control it. Symbolically, he is confronting his own dark side—in this case, his ability to speak to the dead (and the responsibility that comes with it). However, while Jamie can coax truth from the dead, they can also haunt him.
Jamie would rather let the deadlight go and be rid of it forever, but the message of the ritual is that one can never be free of darkness. If one tries to escape it, it will be able to control them. In order to take his first step toward adulthood, toward manhood, Jamie can’t change his mind and push his demon away. After Jamie performs the ritual, Professor Burkett warns him to never call on the demon—however, Liz forces him to summon his inner darkness. But unlike Liz, Jamie wields his darkness in a responsible way.
Stephen King uses the motif of illness, both physical and mental, to represent the consequences of giving in to one’s inner darkness. Uncle Harry gave in to temptation and lust when he took advantage of his younger sister Tia, Jamie’s mother— though the novel doesn’t specify the exact circumstances of Jamie’s conception. Professor Burkett’s daughter is also revealed to have a mental health condition; she is left catatonic after having murdered her child and trying to die by suicide. Finally, as Liz sinks deeper into corruption, she loses touch with reality, unable to distinguish lies from truth. Liz becomes so lost in rationalization that she believes she’ll be able to atone for premediated crimes.
Jamie assumes his ability to speak to the dead is associated with Uncle Harry’s (his biological father’s) early onset Alzheimer’s. Uncle Harry is able to see Therriault standing behind Jamie at the nursing home, and Therriault tells Jamie that he inherited a “condition” from his relative. As this “condition” is unspecified, it’s possible that Uncle Harry’s Alzheimer’s disease and the ability to see ghosts are linked.
The Prologue introduces the titular “later” motif. Adult Jamie apologizes for his repeated use of the word, warning that he will interject throughout the story to tell the reader what he learned “later” from his young self’s perspective.
“Later” lies at the heart of the Bildungsroman story type, as a young protagonist like Jamie is meant to grow and learn. There is no end point at which everything else is “before.” Even when the novel ends, Jamie’s story continues. He knows that in the future, he will look back at “now” from “later” and see himself from a new perspective; he knows he’ll have to face the deadlight, his inner darkness, as a hopefully stronger man.
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