29 pages • 58 minutes read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Key Figures
Themes
Index of Terms
Important Quotes
Essay Topics
Tools
Susan Sontag (1933–2004) was born in New York City in 1933. A precocious child, she graduated high school at 15 years old and from the University of Chicago at 18. It did not take her long to make a mark on the cultural and artistic worlds. She published her first novel in 1963 and her first collection of essays in 1966. The latter of these two was Against Interpretation, which is perhaps her most famous publication as it includes two of her most cited essays: the titular “Against Interpretation” and “Notes on Camp.” Beginning in the early 1970s, Susan Sontag wrote a series of essays at the New York Review of Books that were collated and published in her book On Photography (1977). This formula was repeated for this book, Illness as Metaphor, which was published in 1978 after first appearing as essays in the New York Review of Books.
The book at hand can be seen as coming out of two major wellsprings for Sontag. The first, and most important, is Sontag’s own diagnosis of and subsequent treatment for breast cancer. This sickness is never mentioned throughout the text, but it crucially shifts Sontag’s perspective on the way victims have been blamed for their sickness from objective to subjective, from one of a writer discussing her topic to one of a writer discussing her experience. The second is the controversy and backlash Sontag received for claiming that the white race was a cancer of human history. This claim, which is cited late in the book, is one of many that uses cancer (its symptoms, its mysterious causations, its treatments) as the source of metaphors that are applied outside the realm of science and victim experience.
Illness as Metaphor came at an important time for Sontag’s own medical history but was also aimed at articulating a transition she saw in human history: Tuberculosis used to be the most dangerous and pervasive sickness, but as medical advancements improved prevention and treatment, cancer took its place in the 20th century. Sontag’s book calls attention to the language and rhetoric used with both the diseases and the victims. This occurred at a crucial time in the history of the 20th-century illnesses, when less was known about the treatment, prevention, and cure of cancer and just before the AIDS pandemic arose. Notably, Sontag revisited the topics of this book within the context of the latter phenomenon with her book AIDS and Its Metaphors (1988).
Franz Kafka was a Bohemian novelist and short story writer who published such acclaimed works as The Trial, The Castle, and the short story “Metamorphosis.” His work was a major influence on Sontag’s writing and criticism, although it may seem less obvious to include his writing in a book about science and illness. However, Kafka suffered and died from tuberculosis, and, moreover, TB was a topic in many of the epistolary correspondences he conducted at the time. These include his line to his friend Max Brod that he had “come to think that tuberculosis…is no special disease, or not a disease that deserves a special name, but only the germ of death itself, intensified...” (19).
Kafka, besides elucidating the sensation of TB, figures prominently into Sontag’s argument about the character and social perception of tuberculosis. In particular, his work is useful in proving three key ideas to her argument. The first is how doctors often chose not to disclose diagnoses to patients suffering from mysterious or fatal diseases. Here, she quotes Kafka writing to a friend after a doctor visit, “Verbally I don't learn anything definite…since in discussing tuberculosis…everybody drops into a shy, evasive, glassy-eyed manner of speech” (7). The second is the idea of how illnesses become synonymous with psychological traits. On this point she cites Kafka when he writes, “I'm mentally ill, the disease of the lungs is nothing but an overflowing of my mental disease” (54). Last is how illness, particularly TB, was seen as a dramatization or representation of what occurred mentally within the victim. As Kafka wrote in his diary to himself after his TB diagnosis, “the infection in your lungs is only a symbol” (44).
Wilhelm Reich was an Austrian doctor and psychoanalyst who is famous for contributing many radical ideas to the world across a wide array of subjects including psychology, therapy, psychoanalysis, Marxism, theories of sexuality, the sociology of fascism, humanities, and pseudoscience. Reich was a genius and a controversial figure. He performed experiments with Albert Einstein and was also arrested by the FBI. He died in a federal penitentiary in Lewisburg, Pennsylvania, in 1957 at the age of 60.
Reich’s ideas about the relationship between emotional repression and illness are of the utmost importance to Sontag’s argument about social misunderstandings and mistreatments of illness and its victims. On cancer, Reich wrote, "a disease following emotional resignation—a bio-energetic shrinking, a giving up of hope” (23). He even wrote of Sigmund Freud, his intellectual mentor, that his cancer began when Freud gave into resignation, because of an unhappy marriage.
Sontag also looks to one of the paradoxes in Reich’s thinking to show how easy it is to slip into harmful metaphors about illness. In his seminal book from 1933, The Mass Psychology of Fascism, Reich argues that the fear of syphilis was reconfigured and transmuted onto mass feelings of anti-Semitism. Sontag lauds this conclusion but notes that Reich could not transfer this thinking back onto his own usage of illness as metaphor in his understanding of cancer’s relation to the patient. On this point, it is notable that Sontag, perhaps to avoid the missteps in logic that felled Reich, calls out her own use of disease metaphors in previous writings towards the end of the text.
Georg Groddeck was a German doctor and writer known for his associations with psychoanalysis and the promotion of psychosomatic medicine. Some of his treatments, which are still used today, included massages, baths, and dietary regimens. Groddeck became a famous doctor throughout Europe, where he spread his ideas about psychosomatic remedies. His strong beliefs about the relation between the disease and the patient warrant his inclusion into the text.
As Groddeck was both from the medical field and a prominent writer, he occupies a central role in Sontag’s argumentation and methodological program. Primarily, Sontag places the general misconception held by many that cancer equals death at the feet of Groddeck, who implied this in his 1923 book, The Book of It. Groddeck was also famous for the strong connection he made between disease and the desires of the victim to be sick. Tuberculosis was, he wrote, “the pining to die away” (23). A better way of understanding sickness, according to Groddeck, was as a representation or symbol for of an inner drama of the psyche: "The sick man himself creates his disease,” wrote Groddeck; “he is the cause of the disease and we need seek none other” (46). Groddeck made it explicit that something within the victim (their psychological whims or defects) precipitated the diagnosis, and for Sontag, he is a key reason for the culture of blame that now exists.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Susan Sontag