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17 pages 34 minutes read

Hurt Locker

Fiction | Poem | Adult | Published in 2005

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Literary Devices

Sound and Meter

The poem does not utilize rhyme. The poem uses alliteration, which is the repetition of consonant sounds at the beginning of words and stressed syllables. Combined with the speaker’s repetition of words like “Nothing” (Lines 1, 2), the alliteration of /n/ sounds creates an initial sense of force and a refusal. The alliteration also works to create a sense of denial. The speaker also utilizes the repetition of /b/ sounds in words like “but” (Line 2) and “bullets” (Line 2). These /b/ sounds combine with the /b/ sound in “bled-out” (Line 3) and “but” (Line 6) to mimic the sound of “bullets” (Line 2) and create the sound of gunshots. The alliteration continues in the second stanza, where the speaker repeats the phrase “Believe it when” (Lines 7, 8). Again, the repetition of the /b/ sounds creates the sound of gunshots. The repetition of /s/ sounds in words like “sniper” (Line 10) and “someone’s skull” (Line 11) creates a hissing sound that mimics a bullet traveling through air.

The poem also utilizes assonance, the repetition of vowel sounds. This technique is most evident in the second stanza, with the repetition of long /e/ sounds in words like “Believe” (Lines 7, 8) and “see” (Line 7). It also occurs later in the stanza when the speaker twice states “Open the hurt locker” (Lines 15, 17). Assonance is also evident in the word “Open” (Lines 15, 17) because of the long /o/ sound. The long /o/ sound creates a sense of giving way, of loosening, which breaks the poem’s previous rigidity.

Form and Structure

The poem unfolds like an uninterrupted conversation. It is divided into two stanzas. The first stanza consists of six lines, and the second stanza consists of 12 lines. In the first stanza, repetition is key. The speaker repeats the phrase “Nothing but” (Lines 1, 2) to create emphasis. In the first stanza’s subsequent lines, the sentence structures maintain a rigidity created by the repetition of the conjunction “and” (Lines 3, 4, 5). The first stanza concludes with the line “Nothing left here but the hurt” (Line 6), which echoes the poem’s opening line: “Nothing but hurt left here” (Line 1).

The second stanza also opens with repetition. The speaker repeats the phrase “Believe it when” (Lines 7, 8), and “Believe it” (Line 12) repeats nearly halfway through the stanza. As the stanza concludes, the poem returns to its rigidity in structure and voice. The speaker creates this rigidity by again relying on the repetition of the word “and” (Lines 16, 17, 18). The speaker also repeats the phrase “Open the hurt locker” (Lines 15, 18). The repetition reinforces the command and creates a forceful tone that echoes the commands in the first stanza. The repetition works to create a cycle in the poem, one of remembering and returning to the hurt and pain the speaker attempts to hide.

Enjambment

Enjambment is when a sentence continues without a pause beyond the end of a line, a couplet, or a stanza. The first example of enjambment in “The Hurt Locker” appears in the lines

Nothing but bullets and pain
and the bled-out slumping
and all the fucks and goddamns
and Jesus Christs of the wounded (Lines 2-5).

The enjambment here not only continues and expands the speaker’s thoughts, but it also creates a relaxed voice as well as a conversational tone.

In the second stanza, enjambment appears consecutively in the same conversational tone. The speaker states, “Believe it when a twelve-year-old / rolls a grenade into the room” (Lines 8-9). They continue, stating, “Or when a sniper punches a hole / deep into someone’s skull” (Lines 10-11). The enjambment is brief, short. It mimics action words like “rolls” (Line 9) and “punches” (Line 10). The enjambment then expands:

Believe it when four men
step from a taxicab in Mosul
to shower the street in brass
and fire. Open the hurt locker (Lines 11-14).

As the poem concludes, the speaker relies on enjambment to close the poem: “and see what there is of knives / and teeth. Open the hurt locker and learn / how rough men come hunting for souls” (Lines 16-18). These lines represent the loosening of the speaker’s emotional layers.

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