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Samuel Hamilton’s favorite daughter, Una, marries a photographer, moves to Oregon, and dies young. Her death ruins Samuel’s outlook on the world, and he becomes a sad old man. However, Samuel’s other children continue to flourish. George, Will, and Joe all have good jobs, and all Samuel’s daughters are either married or have their own business. Only Tom is listless in his professions, but his family nonetheless adores him. When his closest sister, Dessie, gets married and leaves the family, Tom is so heartbroken that he goes on a bender, and his father must bail him out of jail. Although the Hamiltons experience losses and gains, they remain a tight-knit and supportive family. By 1911, Samuel’s children have noticed how old he’s getting, physically and mentally. They suggest that he and Liza leave the farm and rotate among all the children’s homes, where they could be cared for and spend time with their grandchildren.
Samuel pays Adam a final visit before leaving his farm. Adam’s sons are now 11 years old, each with their own distinct looks and personalities. Samuel finds that Adam still thinks about Cathy and that he has let his valuable and fertile land go to waste. Adam asks Samuel to help him build his Eden, but Samuel refuses. Caleb now goes by Cal, and Aaron has dropped one of the a’s in his name to make it seem less fancy. Aron wants to show Samuel his hares, and Cal tells Samuel that Adam will let him have his own portion of the land to till. Samuel notices that the boys seem mature for their age (and that Adam loves one more than the other), and Lee hypothesizes that it’s because without a woman around to raise them, they grew up quickly and without affection.
Lee and Adam have never been able to get the conversation of Cain and Abel out of their minds, especially in observing Cal and Aron. Lee tells Samuel that he’s done a lot of thinking and research on the story of Cain and Abel. Lee discovered the Hebrew word timshel, meaning “thou mayest.” Lee thinks that this language in the Bible implies that Cain was not destined to sin—that he had the choice and the freedom to sin or not to sin. Lee finds this idea inspiring:
It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey (302).
The idea inspires Samuel too, and he makes his own choice. As he says goodbye to Adam, he tells him that Cathy, who goes by Kate, runs the most depraved brothel in Salinas. Adam, angry, tries to deny it but knows that he can’t. Samuel hopes that knowing about this will force Adam to finally get over Cathy.
Samuel passes away, and Adam attends his funeral in Salinas. While there, he decides to look for Cathy (or Kate). In the decade or so since Cathy took over Faye’s brothel, the house has deteriorated. In lieu of keeping up appearances, Cathy leans into the darkness of the business. Adam finds Cathy physically unchanged. She’s still beautiful and has subdued the appearance of her scar with makeup. However, in meeting her again, Adam says that he can finally forget her because now he sees her for what she truly is. Cathy shows him photographs of important and powerful society men in bed with her sex workers. She tells Adam that she’ll use these for extortion one day, and when he shows his disgust, she tells him her philosophy about people: that all people are bad, that only she is honest about it to herself, and that everyone else tries to hide their badness by pretending to be good. When Adam mentions that she hasn’t asked about their children, Cathy tells him that his brother, Charles, is the twins’ real father.
Adam finally feels free of Cathy—so free that he notices the beauty of his land for the first time in many years. He orders an automobile on his way home, buoyed by his newfound lightness of being. He tells Lee about his new happiness and says that he wants help in getting to know his sons better. Lee says that Adam will like his boys—and agrees to stay on longer to help Adam form a relationship with them before he moves to San Francisco to open his dream bookshop.
The first few chapters of Part 3 emphasize Steinbeck’s assertions about the nature of free will and human accountability. Arguably the most important concept in these chapters is Lee’s discovery of the term “timshel,” a Hebrew word that means “Thou mayest.” If one may do something, the implication is that one doesn’t have to do it. This signals that people aren’t destined to do bad or good things. Rather, they have a choice in the matter; they may sin—but that doesn’t mean they have to. If this is true, then Cain chose to sin not because that was his inevitable journey as an all-powerful God designed it but because he chose to give into his bad impulses. If people truly have free will, a choice in how their lives unfurl, then the most important figure is the individual, not the society or the religion that informs their decisions. Having free will puts all the responsibility of being a person onto the individual and suggests that personality and drive matter more than genetics. In Part 2, Lee and Adam debated how to name the children, worrying that any name might curse their future. However, if timshel exists, then it’s up to Caleb and Aron to be good people if that’s what they want to be.
Samuel’s suspecting that Adam loves one son more than the other foreshadows the challenge that Caleb and Aron will face in exercising free will. Thus, history repeating itself has a foreboding tone. Adam’s favoring one son shows that he failed to gain emotional intelligence from his experience of how damaging Cyrus’s favoritism was to him and his brother, Charles. Adam’s relationship with his sons is precarious. He needs Lee to stay around to help him get to know his own kids. During these last 10 years, he hasn’t been getting to know his children, and he hasn’t been farming. Here, timshel rears up again. Adam has the power and the privilege to make a nice life for himself and his sons. The ground he bought is fertile, and his sons are his only family. Instead of embracing his ability to make a good life for himself, Adam lets the years pass him by. His wasted time in establishing his Eden reflects a character defect. Instead of taking full advantage of his individual freedom, Adam lets things happen to him passively. Not only is Adam uninvolved in his sons’ lives, but his relationship to them comes under threat when Cathy claims that the boys are Charles’s sons, not his. Although Adam resolves not to believe this, the claim foreshadows further conflict ahead. This is particularly important because when the boys were born, Adam noticed that Cal looked like Charles—and ostensibly Cal plays the Cain role because he tills the land, while Aron is Abel because he cares for the hares. In the Bible, Cain was a farmer, and Abel was a shepherd. If these parallels symbolize that Cal is Charles’s son and Cain, it will be Cal who must face Adam’s bias and the possibility that Charles is his real father.
Of course, Cathy may be lying about the twins’ paternity because she likes to manipulate Adam, but the dramatic irony here is that the narrative revealed Cathy’s affair with Charles just before she got pregnant. Adam may choose not to believe it, but she has planted the seeds of doubt. Now, the narrative invites analysis about individualism versus genetic codes—about whether Charles and, more importantly, Cathy can pass down their evil. If Aron and Cal discover who their true parents are, the fear of becoming bad like Cathy might subconsciously force them into making evil choices. Because this issue arises in tandem with the idea of timshel, Steinbeck sets the stage for discovery of whether the theory of free will is correct. Although Chapter 26 again pushes the philosophy of timshel and individuality, the narrator has doubted himself before and has proposed alternative ideas to the theories. In Chapter 26, Adam resolves once more to build his garden of Eden, while Lee reaffirms his desire to build his bookstore. Therefore, the two men have their individual dreams and wish to practice their free will in achieving these goals. The issue of Cal and Aron’s genetics and the possibility of self-affirmation foreshadow either confirmation that free will exists or a challenge to Lee’s assertion of timshel.
One more challenge to the idea of timshel is Cathy’s view of human nature. She tells Adam that all people are essentially bad—that they only appear good. Cathy decided early in her life to embrace the bad because the bad is in all humans and is indeed our natural state. Cathy’s idea of human nature contradicts Lee’s theory of timshel. The narrative has presented two different ideas about humans’ true nature and what they can control or not control in their lives.
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