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36 pages 1 hour read

Brown Girl in the Ring

Fiction | Novel | Adult | Published in 1998

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Themes

Ending the Cycle of Generational Violence

Through the novel’s contextualization of Afro-Caribbean spiritual and folkloric traditions against the backdrop of African enslavement, the matrilineal practice of these traditions come to represent a form of healing from this violent history. However, Rudy symbolizes the residual harms of this history as a patriarchal figure who still suffers from addiction, poverty, and emasculation—such that he seeks to corrupt the healing properties of these sacred traditions for his own personal gain. Rudy’s hunger for power wreaks havoc across generations of women that include Mami, Mi-Jeanne, and Ti-Jeanne. When Mami distances herself from him after she is fed up with his abuse, he inflicts injury upon their daughter, Mi-Jeanne, in turn. The cycle of violence almost continues through Ti-Jeanne when she nearly relinquishes her soul from her body to become Rudy’s duppy. However, by drawing from Mami’s lessons, she discovers that she has the power to end the violence in her family line by fighting back.

The novel proposes that the process of ending the cycle of generational violence is black women-centered and includes a recommitment to knowing one’s culture and history. In the last chapter, Mi-Jeanne and Ti-Jeanne contend with the aftermath of Rudy’s gruesome impact on their lives. For Ti-Jeanne, this means the discomfort of hearing her mother’s shame, remorse, and resentment towards her.

Ti-Jeanne acknowledges that “[t]here was a lot between them that Ti-Jeanne would have preferred be left unspoken, but after twelve years of silence, Mi-Jeanne was eager to unburden herself” (241). As part of repairing their relationship, Mi-Jeanne and Ti-Jeanne must rectify the emotional wounds between them. This is aided by their co-planning of Mami’s wake in keeping with the tradition of Afro-Caribbean funereal practice. The wake is a reminder of the wider community of support who will be there for Ti-Jeanne and her family. During the wake, Ti-Jeanne is also asked to heal others, continuing her grandmother’s sacred work. While there is still significant healing to be done, the closing chapter suggests that Mi-Jeanne and Ti-Jeanne are on their way to repairing the violence done to their familial line.

The Disproportionate Power Between Modern Medicine and Traditional Knowledge

The dual narratives between Ti-Jeanne’s world of spiritual traditions and Premier Uttley’s political campaigning around modern medicine exemplify the contrasting values of both practices. However, it is the institutional power of modern medicine that sets into motion a series of events with dire consequences for the most vulnerable residents of Toronto. Uttley’s campaign platform to end pig organ farming leads her team to hire Rudy to secure a human heart by preying on the transient poor. This act results in the murder of Mami, the source of Afro-Caribbean spiritual knowledge and healing traditions for her community. In this instance, modern medicine has the power to extinguish important knowledge of traditional remedies.

However, the power of modern medicine takes a turn when Uttley’s transplant with Mami’s heart begins to go awry. The doctors note that Mami’s “heart seems to be rejecting her” (235). Mami’s resistant heart in Uttley’s body expresses the lingering tensions between modern medicine and traditional knowledge. When Uttley’s body gradually acquiesces to the new heart and makes a recovery, the politician wakes up to find her views of the world transformed. The change in Uttley represents a blending of modern ways and traditional methods as her new campaign objectives include more consent-driven policies around human organ donation and a commitment to rejuvenating Mami’s community in Toronto’s impoverished city center. By the novel’s end, the disproportionate power between modern medicine and traditional knowledge reconciles through the possibility for social and political reform.

Moving Between Multiple Worlds

As a seer and chosen spiritual daughter of the Prince of Cemetery, Ti-Jeanne moves between multiple worlds, particularly the world of the living and the dead, the spiritual and the secular. Just as Eshu, from which the Prince of Cemetery derives, guards the “crossroads” (79) of life and death, Ti-Jeanne often finds herself in-between worlds and inhabiting various roles. As part of her spiritual and personal growth, she struggles with navigating these multiple worlds with her own moral compass. When forced to confront Rudy without her grandmother’s aid, Ti-Jeanne realizes that she “can’t keep giving [her] will into other people’s hands no more” (219). She also discovers that moving between multiple worlds does not mean forgoing one set of beliefs for another, but rather, forging her own will and design for how she might navigate.

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