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35 pages 1 hour read

Ask Again, Yes

Fiction | Novel | Adult | Published in 2019

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Prologue-Part 1Chapter Summaries & Analyses

Prologue Summary

It is Summer 1973. The Bronx is sweltering. Two rookie cops—Francis Gleeson, 22, born in Ireland and now engaged to Lena, an IBM technician; and Brian Stanhope, 21, engaged to Anne, a nurse born in Ireland—meet for their first day assigned to street patrol. The section of the Bronx they patrol has been rocked by racial tensions.

Brian and Anne are expecting their first child. Brian shares with Francis three mementos he keeps in the sweatband of his cap: a photo of Anne; a photo of his brother, George; and prayer card to St. Michael.

They are dispatched to a robbery in progress at a grocery store. They arrive to find blood everywhere and the clerk on the floor, shot dead. They arrest the shooter, a T-shirted teenager who still lurks in the store. In the aftermath, Brian helps himself to a beer from the store’s refrigerator. Francis decides that he and Lena cannot live in the city.

Part 1 Summary: “Gillam”

Shortly after Francis and Lena marry, Francis tells Lena they are moving out of her parents’ home in the city to the tree-lined quiet of suburban Gillam, where he has already picked out a house. When they move, Lena initially misses the city and her family, but when she finds out she is pregnant, she quits her job and commits to being a suburban housewife and mother. 

The following summer, the Stanhopes move in next door (Francis steered Brian to the property). Lena, already pregnant with their second, sympathizes with Anne, whose child, two years earlier, was stillborn. More than a year later, Lena delivers her third child, a daughter named Kate, and, a few months later, Anne delivers a son named Peter. Lena hopes the two wives will bond over their newborns, but Anne is unreceptive and even hostile to Lena’s overtures.

In February 1989, Peter and Kate are both in sixth grade. Growing up next door to each other, they have forged a deep friendship, in part because Peter’s mother, who is susceptible to wild mood swings, often spends long hours alone in her upstairs bedroom. When Peter tries to talk to her, she recoils: “She’d just close her eyes as if the sound of his voice was abrasive, and retreat again to the cave of her room until she was ready to emerge” (40).

One morning when school is dismissed early because of a sudden snowstorm, Peter and Kate walk home together. When Peter comes in from an impromptu snowball fight, he finds his mother livid. Because Peter hid an expensive model ship, which she gave him for Christmas, in the garage after scratching it, Anne has accidentally broken it. Anne slaps him, and Brian runs into the garage to protect Peter. He then attempts to drive Peter to the safety of his brother’s house in Queens, but the storm stops them.

Two years later, on New Year’s Eve, while Peter waits in the car, Anne, perturbed over waiting at the deli counter of the Food King, begins to rant at the customers. The police are called, and Anne is taken away in an ambulance. During the drive to the hospital, the EMTs find Brian’s loaded service revolver in Anne’s purse. When the police later confront Brian at his house, they agree not to file official charges but caution Brian that he needs to be more careful. The incident is never mentioned again. Anne is put on medication, but her behavior remains erratic.

Two years later, on the night before their graduation from junior high, Kate and Peter, whose relationship has blossomed into a fledgling romance, are hanging out with friends when Kate takes an accidental fall. Peter tries to help, but Kate’s mouth is bloody. Anne storms out of the house and demands Peter go inside. She has grown to dislike Kate and questions her intentions with Peter. Peter protests their innocence, but Anne is adamant. In the kitchen, she threatens Peter with a meat mallet and demands he never see Kate again.

Later that night, Peter sneaks out. Desperate, he folds a paper airplane with a message to Kate to meet him the next night at midnight and lofts the plane over into the Stanhopes’ lawn. The next night, Kate pulls a sweater over her pajamas and heads out to meet Peter. They kiss. Peter tells Kate her father plans to go to Queens to stay with his brother. Peter refuses to go. He cannot abandon his mother. “I don’t think she’d be okay if I went” (85).

When Kate returns home, she is confronted by her mother. Angry over the deception, Lena storms over to the Stanhopes’ home and waves the paper airplane note she had found in the house and tells a stunned Brian that Peter is “no angel” (87). She returns home, but a few minutes later, a frantic Peter comes to their door. He needs to call the police: his mother has a gun. Francis decides to go next door, certain that Brian has his off-duty gun locked and that the gun is harmless. Anne answers the door. She collapses to her knees and, before Francis can react, pulls the gun from the couch cushions and fires at him: a single shot, point blank.

Prologue-Part 1 Analysis

Appropriate to a novel about police work and forensic investigation, the first section of Ask Again, Yes provides clues to a seemingly random act of violence: a neighbor in an idyllic suburban neighborhood shooting another neighbor. For both the Stanhopes and the Gleesons, Gillam seems like a refuge from the chaos and random violence in the city. Both families set up their homes and expand their families, seemingly creating happy and tranquil lives.

Events recounted in the first part hint at disquiet beneath the surface: Lena’s fecundity against Anne’s infertility and struggles to get pregnant; Anne’s chilly refusal to accept secondhand baby clothes from Lena; Anne’s oddly extreme reaction to the long wait at the neighborhood deli; the gun Anne carries in her purse; the kerfuffle over Peter’s broken ship; Kate’s accident while the neighborhood kids are playing; Kate and Peter’s innocent friendship and their sweet stolen kiss; and Brian’s odd decision, at the moment Anne seems most agitated on the night of the shooting, to retire to the upstairs bedroom. Before that, following the robbery in the Prologue, Brian grabs a beer from the store’s refrigerator, a signal of his struggles with alcoholism.

One of Peter’s earliest memories centers on an expensive model ship that Anne gives him at Christmas, an exact replica of Sir Frances Drake’s Golden Hind. Because to the boy, the ship is a toy to be played with, he and Kate play with the toy in the snow during their school holidays. After they scratch the ship’s hull badly, Peter, fearing his mother’s wrath, hides the damaged toy by leaving it on top of the garbage can in the garage. When Anne takes out the garbage, she does not see the ship. It drops to the cement floor and breaks into pieces, an early symbol of what is shattered by bad luck and poor judgment, and doomed by secrecy.

Lena calls Gillam “nice enough” but says it appears “lonely,” the kind of place that if she vacationed there, she would “look forward to leaving” (17). She also says that Gillam, with its manicured lawns and tidy houses, “didn’t seem quite real” (17), a clue that nothing in this quiet corner of suburbia is what it seems.

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