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On another errand to the blacksmith, Laia learns the woman Elias was dancing with at the festival is providing the Scholars with weapons. The blacksmith has vowed never to make weapons for the Martials again, and the only reason he’s entertaining the Commandant’s request is to protect Laia from the Commandant’s wrath. Laia lets slip that Darin is to be executed, but the blacksmith doesn’t believe it because Darin would have been moved to a different prison if that were the case. Laia isn’t sure if he’s telling the truth and leaves before she can give more away. All that matters is that Darin’s alive, and if she can free him then “the rest can be fixed” (287).
On her way back to Blackcliff, Laia meets with Keenan in the square, who’s worried about her mission because Mazen has been hiding the reports about Darin. Feeling unsure, Laia returns to Blackcliff to find a way in for the rebels, and the cook warns her again not to trust the resistance. They argue, neither willing to give ground. Finally, Laia yells that she just wants out of the school. Cook responds that “even the damn students want out” (294), which gives Laia an idea.
That night, Laia spies on the barracks hoping to catch students sneaking off Blackcliff’s grounds. She follows Zak and Marcus to the training building, where the boys disappear. Laia tries to find the secret passage they used, but she can’t until the night before her next meeting with the resistance.
Thoughts of Helene and Laia throw Elias off his game. He doesn’t know how to feel about Helene loving him, and Laia’s quiet strength distracts him. He doesn’t know why he’s comparing them, but he can’t seem to stop. Since Marcus threatened Helene, Elias and his friends have taken turns watching out for her, and when Helene finds out, she challenges Elias to hand-to-hand combat so he’ll leave her alone. The fight is fast, angry, and vicious until Helene pins Elias with a knife at his throat. So close, they freeze on the verge of “[a] choice that might change everything” (302). As Elias leans in to kiss her, someone screams.
Laia sneaks out to explore the secret passage in the training building. She passes the room where Elias and Helene fight, and Laia is drawn to Elias’s animal grace. He’s so different from Keenan’s reserved nature, but Laia doesn’t understand why she’s comparing the two boys.
When she opens the secret tunnel, Marcus and Zak emerge from inside. Marcus grabs Laia and orders Zak to leave. Laia screams and lashes out, vowing that this won’t be like the night the Masks raided her home because “this time, I’ll fight” (307), but she’s no match for Marcus’s strength.
The kiss forgotten, Elias and Helene run toward the scream. Elias knocks Marcus off Laia, and Helene threatens to report him for abandoning his post. Marcus leaves, and Elias and Helene take a badly beaten Laia to the Commandant, who doesn’t care if Laia lives or dies. Laia mumbles something about monsters at the school, and though she’s incoherent from her injuries, the words smack Elias with their truth. Marcus would have killed her, Helene refuses to go against the Commandant to help a slave, and Elias is no better because Laia might die “[a]nd I’m doing nothing to stop it” (313).
Dimly, Laia is aware she’s dying. She thinks about everyone her death will let down and how nothing will change for those still living under Martial rule. After some time, Helene returns and sings to heal Laia, the song holding Laia “with the sweetness of a mother’s arms” (317).
The next day, Elias tries to visit Laia, but the cook won’t let him in. He avoids Helene until the evening, when they argue about his feelings for Laia, the trials, and the world they live in. Elias gets mad at Helene because she’s in love with him, which has made everything more difficult, and Helene fires back that being in love with him “is the worst thing that has ever happened to me” (323). Crying, she runs into the night.
Laia feels better the next day, though she still aches. The Commandant interrogated Izzi, Marcus, and Zak the night before, and their answers made her have the tunnel entrance in the training building bricked shut. Laia meets with Mazen, who grills her for information but doesn’t answer any of her questions. Mazen gives Laia two more days to find a way into the school before abruptly leaving to take care of an unknown task. Laia returns to Blackcliff feeling uncertain because, when Mazen promised again to rescue Darin, he “didn’t quite look me in the eyes” (330).
This section is full of tiny bursts of action, and Tahir uses short chapters to show how Elias and Laia react to events in real-time, as well as how the timing of their points-of-view overlap. These short, fast-changing chapters also lend to the intensity and tension of the story and mirror how many of the characters are having to make decisions without the luxury of thought or time. Laia begins to distrust the resistance in these chapters. Mazen’s dodgy behavior coupled with the conflicting information she gets from the blacksmith and the cook make her wonder if Mazen is telling the truth and really has any intension to rescue Darin. Laia wants to believe he does because she wants to believe her mission at Blackcliff has meaning. If she’d looked more closely at the evidence, she might have noticed sooner that Mazen’s stories didn’t add up, but her desire to change things and be brave keep her from seeing the truth.
Chapters 32 and 33 bring many of the main players together and mirror one another. At the outset of Chapter 32, Elias thinks of both Helene and Laia, unable to understand why he’s comparing them. Later in the chapter, he fights Helene, ending in a tense moment between them. As Laia passes the fight between Elias and Helene, she thinks of both Elias and Keenan. Like Elias, she doesn’t understand why she’s comparing the boys, and Tahir uses this symmetry to show how Elias and Laia are similar despite coming from very different worlds. Chapter 33 ends in a tense moment, but rather than romantic, Laia is fighting for her life against Marcus. Laia’s scream interrupts Elias and Helene’s moment, which is one of many times where an unexpected turn of events breaks up a potential kiss—a common trope of young adult books wherein the author builds the romantic tension to carry the readers through the middle parts of the story when there may not be as much action.
Helene begins to change in these chapters. Before, she swore Elias to secrecy about her healing abilities, both because she wasn’t sure what they meant and because such powers are forbidden for any but Augurs. Here, Helene uses her power to heal Laia, showing that Helene is not as dedicated to Martial edicts as she—or Elias—thinks she is. Helene never gives a reason for healing Laia, but it may be that her own humanity can’t let her watch someone suffer and die when she could stop it. It may also be that she healed Laia to show Elias she isn’t a terrible person, and it’s equally likely Helene’s motives are a mixture of these reasons.
It should also be considered that Helene is the only girl among the Masks, and rape seems to be a common occurrence among the students. Helene likely empathizes with Laia on a personal level since she has to combat at least the threat of bodily violation on a regular basis. This helps to develop the theme of The Power of Choice, since Helene choosing to help keeps Laia alive. This choice also further develops Helene’s character arc and supports the theme of What Makes Us Who We Are.
In Chapter 34, Laia mumbles about monsters at Blackcliff. The words have a profound impact on Elias, showing how even things we say in passing can hold great importance. Elias realizes that the people at Blackcliff are monsters, even if they aren’t the supernatural creatures of legend that are thought to be monstrous. The Commandant’s monstrous nature is shown most clearly by her blatant disregard for whether Laia lives, and Marcus’s outward treatment of Laia because she’s weaker than him shows he thrives on harming others. Helene and Elias are just as monstrous in less obvious ways. Though Helene ultimately helps Laia, she initially refuses because the Commandant ordered Laia to be left to her fate. Helene going along with the Commandant’s order to let someone die from wounds inflicted by another shows both that Helene is dedicated to and afraid of the empire. As a result, she does nothing, and her inaction is just as monstrous as the abuse or uncaring remarks given by Marcus and the Commandant. Similarly, Elias going along with how Blackcliff is run makes him a monster because he doesn’t stop the other monsters from having their way.
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