43 pages • 1 hour read
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The story takes place in the wake of a close election between a democratic candidate, Keith, and an authoritarian one, Deutscher. Deutscher’s German name nods to the recently toppled Nazi regime in Germany, and his politics resonate with Cold War-era fears about authoritarianism and threats to democracy from the Soviet Union. In this sense, the election between Keith and Deutscher represents a larger ideological struggle between fascism and democracy.
An element of nostalgia, related to fascist ideologies, is present in the story. In the beginning, Eckels contemplates what would happen if Deutscher had been elected, and he jokes that had the election gone the other way, he would be seeking refuge in the past. The officer adds that Time Safari has been receiving calls from half-joking clients wanting to escape to the past. The past is presented as a simpler time before the conflicts and confusions of the modern world.
While Eckels and other characters see the past as an exotic place full of adventure and available to them for exploration and exploitation, the present political situation is threatened by the possibility of fascism, represented by Deutscher. Since it is Eckels’s actions while on this nostalgic, exotic trip to the past that bring about the authoritarian rule of Deutscher, the implied message is that nostalgia may seem innocent or enticing, but in fact, it can directly feed fascist ideology. Nostalgia has indeed been a central component of many fascist leaders’ rhetoric; the German Nazis emphasized a return to a simpler, more traditional Germany, as did Francisco Franco in Spain.
Despite their best efforts to control the conditions of the trip, the hunting party causes a change that will have a ripple effect through time, leading to Deutscher’s election. The tightly controlled protocols and technological inventions that lead to a feat as impressive as going back in time are not sufficient to prevent Eckels from violating the rules out of fear.
Though Eckels is to blame for the particular action that led to changing the past, Time Safari is also to blame, with Travis freely admitting that they “do not know” and are merely guessing how time travel works. Time Safaris stresses the danger of changing the past in even tiny ways and demands extreme caution of their customers, but the company is toying with forces that they do not fully understand and making money off of it. This recklessness reveals Bradbury’s concerns about the potential for the overzealous, and ultimately destructive, use of technology.
Bradbury’s depiction of the time machine, the key piece of technology in this story, is both wondrous and menacing. As he describes its “mass and tangle, a snaking and humming of wires and steel boxes” (103), he implies that the object is chaotic, complex, and perhaps impossible to understand. Its noises are described as “screams” and “murmurs,” personifying the machine and adding to its menace. As Eckels sees it the first time, he marvels at it and excitedly prepares for his journey.
After his panic at seeing the T. Rex, Eckels takes shelter in the machine. This sense of safety is short-lived, however, as the hunting party returns with Travis extremely angry at Eckels. This suggests that the sense of safety that comes with technology is false, and that ultimately our actions, such as our harm to the environment, will catch up with us.
The culmination of this theme comes at the end of the story when Eckels kills the butterfly. The butterfly thus symbolizes all that Travis was trying to convey through his speeches—that small events can have an outsized effect and should not be tampered with. These ripple effects cannot be predicted nor prevented, despite Time Safari’s best efforts to do so.
Travis’s character is key to conveying this theme to the reader. As the trip leader, he is highly aware of the dangers of tampering with the past, and he explains this to Eckels and the other hunters through long descriptions of the domino effect. He uses the example of killing one mouse to describe the accumulation of cause and effect through time. By this logic, even tiny components of the ecosystem matter.
Bradbury compares Eckels and the Tyrannosaurus Rex by using similar language to describe their deaths. Both deaths are brough about with a sound of thunder. Bradbury seems to be pointing out the meaninglessness of certain "large" characters in the fullness of time. While Eckels is a rich, important person in his time, Travis kills him with little fanfare. Likewise, the dinosaur is the largest predator of its era, but its death doesn't even alter the passage of time. Conversely, the death of the smallest butterfly changes the course of history.
Bradbury depicts futuristic America as an imperial power that is directing its colonial reach to the last frontier of colonialism—the past. Time travel has enabled wealthy people like Eckels to travel where and whenever they want to for safaris, much like how wealthy colonialists traveled to “exotic” locales to hunt big game as a popular pastime in the 19th and 20th centuries, particularly with Europeans and Americans visiting Africa. The link is solidified by Eckels’s comment that traveling to the past would make “Africa seem like Illinois” (106). Like rich thrill-seekers on safari, Eckels is inconsiderate of the locale and immediately puts the environment, and the future, in danger with his carelessness.
While the hunting party is on their safari, Bradbury’s descriptions include more sensory language as he describes the dense jungle scenes. These descriptions help the reader imagine the scene and add to the adventurous mood of the text, but also evoke an exotic, far-off place.
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By Ray Bradbury