56 pages • 1 hour read
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High school junior Tavia Philips is at Portland’s local community pool, where her “sister” Effie Calhoun Freeman loves to swim. Though not biologically related, Tavia and Effie are both magical Black girls who consider each other sisters and best friends ever since Effie moved in with Tavia’s family about a year ago.
While Effie swims like a mermaid, Tavia reminisces about the beaches of Santa Cruz, California, where her family lived before Portland and her incident. Tavia closes her eyes and searches the community pool for her siren grandmother’s spirit. Tavia is a siren, a mythological being who can sing compelling songs, and can listen for the dead in water. In siren mythos, they were born through water and used their calls to curse seamen, their voices returning to the sea when they die. But Tavia can’t hear her grandmother in the pool water—though she wants to learn how to stifle her siren song, to be “normal” and not live in fear.
Sirens are persecuted for their manipulative songs, seen as beings to be feared and never trusted. Thus, Tavia keeps her identity hidden. Only her family, Effie, Effie’s great-grandparents, and the network of siren-sympathizers in Portland know she’s a siren and choose to protect her.
Tavia watches a video from her hair idol, Camilla Fox, on her phone. She loves Camilla’s Black hair tutorials: “When I can’t deal with real life, I escape into her virtual space, where everything is perfectly lit, perfectly coiffed, and perfectly accompanied by neo-soul music” (9). Another recommended video appears, not of Camilla but of a recently murdered Black woman named Rhoda Taylor, who is a suspected siren.
Tavia falls into the spiral of Rhoda Taylor’s story, as the media implies that sirens “entrance our hapless victims” and say “siren” as if “it’s a dirty word” that implies danger (10). Nearly having a panic attack, Tavia quiets her anxiety and reassures herself that no one knows she’s a siren. Thinking about Rhoda and the social injustice associated with sirenness and Blackness, she feels nauseous.
Effie swims laps, feeling there is “nothing like being in the water,” and when she’s submerged, she can “hear the water” and its song (11). She feels most herself in water, though someone is staring at her: Wallace, the indoor pool’s lifeguard. She hides behind her long twists of hair, wishing she and Wallace would get to know each other beyond their polite, friendly conversations.
Although she’s attracted to Wallace, Effie has a crush on her Renaissance Faire cohort Elric, who is her betrothed in their storyline. At the yearly Renaissance Faire, Effie plays a mermaid named Euphemia, swimming in her tank and using sign-language for the audience. She takes a potion to walk on land to be with Elric, the blacksmith’s son who is in love with her. She looks forward to the Ren Faire every year, but it also reminds her of her mother, who passed away. Her mother played a role in the Renaissance Faire too, making it a special place they shared.
After showering and changing, Effie finds Tavia curled against a wall, looking shaken with her phone. Tavia signs, “They said she was like me,” and Effie knows her use of ASL (American Sign Language) signals her “siren call is close to sliding free—or she’s afraid it is, anyway” (12). Tavia is scared to speak aloud, her throat burning; she once told Effie it was like “choking on a rock of fire that refuses to melt down” (12). With Effie’s pestering, Tavia shows her the Rhoda Taylor story. Effie knows Tavia needs her, but doesn’t consider herself the strong one of the two, and has been having nightmares again.
Effie suppresses her issues and walks Tavia to the car, where they talk about the horrors of Rhoda’s murder, siren allegation, and upcoming trial. The girls are deeply bonded, likely because they feel there is something wrong with them, and their families know it—especially Tavia’s father, who disapproves of sirens. Effie is jealous though, since Tavia at least knows what she is, unlike her. They discuss how Tavia’s father will check her phone in his paranoia, and Tavia will blame herself for watching the Rhoda video.
When the girls drive home, a stone gargoyle claws at the Philipses’ roof, as he has for the past three years (since Effie moved in). Tavia’s father, Rodney, opens the door and sternly tells them to get inside.
Facing her father’s reprimanding for watching a Rhoda Taylor video, Tavia sweats and experiences acid reflux. Her father acts out of fear, thinking that if she’s discovered as a siren, the prejudice against sirens may cost Tavia her life. He’s also upset about the gargoyle on the roof, who is a “beacon,” as gargoyles are sent to protect magical beings. Tavia tries to defend herself, but her father makes her feel “invisible.” She can’t appease him: “Whenever he gives up like this and only talks to [Mom], I feel like I’ve physically shrunk. Like if I keep it up, one day I’ll disappear. Like maybe that’s what he wants” (17). Rodney urges her to be more careful and keep her siren voice down.
Rodney and Geneva, Tavia’s parents, keep arguing and bring up Rhoda Taylor’s murder. Tavia knows that “according to my dad, everything’s my fault,” but his mother was the siren who passed her genes on to Tavia (19). Tavia signs to Effie that “No one should get away with murder because of what we are” (20). Rodney ignores her, upset that more bigotry and prejudice will occur now. Tavia and Effie go to their room to avoid further confrontation.
At school, Tavia enjoys her gospel choir class. Choir is her safe space, where she can sing to release pressure from her unused siren songs. Her gospel choir group is part of the network that protects sirens. Some classmates check on her, given the news, and the conversation escalates into opinions of injustice. Tavia feels upset, since they’re acting like being a siren is the injustice, rather than Rhoda Taylor’s murder. Naema, an eloko (a publicly beloved mythological being who wears a bell necklace and has an enchanting, melodic presence), comes in late, but no one cares. Tavia thinks about how unfair it is that people love elokos, who manifest in every race, but distrust sirens, who are exclusively Black women. She recalls learning ASL and citing she has a disorder called “spasmodic dysphonia,” (26) a condition in which people lose their voices suddenly, to hide her siren voice if it threatens to erupt.
At lunch, Tavia watches another hair tutorial video from Camilla Fox. Some friends pester her about Rhoda Taylor, since she’s one of the few Black students. Tavia barely speaks, wondering if she can find her grandmother’s song for guidance.
Effie has a repeated dream of a past incident at Triton Park, a local playground. She sees a “water mirage,” a rippling hallucination across her vision. The dream resembles a real event in which Effie was a young girl playing Red Rover with friends. In the dream, Effie runs toward her friends, hair streaming like it’s alive and hurdling into Ashleigh and Tabor, but their hands shatter, shards flying. Effie wakes up in a panic, knowing that her four friends, stuck as children, are still in Triton Park as statues. She thinks about the park incident and how she was the only child left unstoned, an unsolved mystery—though many suspect it was the work of sprites, ethereal tricksters who love to play games. Now, she’s been taken in by Tavia’s wealthy family, feeling guilty that she’s not supporting Tavia: “I get to share [this life and room] with someone who shares everything with me. [...] Tav’s who I should be focused on. The nightmare she’s living, not the one I already survived” (32).
Effie looks for her car keys, which have moved magically. She blames sprites. She finally finds her keys in a place she already looked, then complains to Tavia about her intensely dry, itchy skin, which the dermatologist says is eczema; Tavia tells her it will pass.
The girls drive to the fairgrounds to set up for the yearly Renaissance Faire. Since first grade, Effie has been Euphemia the Mer, her mother Minerva (Minnie) playing Minerva the Chosen, a pirate captain. This year, the Renaissance Faire is moving to Vancouver. Effie has practiced holding her breath, applying her shimmering mermaid make-up, and floating with her mermaid tail costume for hours. She squeals to Tavia, “It’s finally happening” in anticipation, and Tavia is happy for her, knowing the Renaissance Faire is a meaningful place with a link to her mother (37). Effie will be the main attraction mermaid and the only Black girl.
Effie takes the jar of “land walking potion” from her necklace, which her mother gave her, to walk the fairgrounds. Elric, her fiancé in her storyline, isn’t around, but he’s left Effie many gifts over the years in her tank or on the porch steps, like potions, notes, and handmade gifts. The girls enter the Cove, Effie’s tent with a water world and tank. Effie sees a water mirage in her vision, and scared sprites have come to her safe space.
The theme of injustice and prejudice against sirens and Black people is apparent in the opening chapters. This theme is expanded upon throughout the novel, being processed by the main characters, especially Tavia. The Rhoda Taylor trial upsets Tavia, as she becomes more afraid for her life. If Rhoda were to be perceived as a siren who Compelled her boyfriend to murder her, the prejudice against sirens as controlling, dangerous villains would heighten. Tavia knows Rhoda’s trial is a significant case, and thinks it’s unfair that Rhoda can’t speak for herself because she’s dead. The theme of silence is ingrained in Rhoda’s story, as she’s never given a chance to defend herself, and her story affects sirens in general, like Tavia, since the outcome of her trial could mean disaster for other sirens. People could view them as villains, manipulative to the point of causing someone to commit a crime. Tavia’s upset, sinking to the pool floor, a realistic reaction for the overwhelmed teenager. The novel frequently comments on Black culture and educating people about the Black community, including real statistics about Black arrests, giving Tavia a strong internal voice and awareness of the unfairness of her situation as both a siren and a Black girl (as the two are intertwined in the novel’s world).
The symbolic power of sirens and their songs are showcased through Tavia, mentions of her grandmother, and Rhoda Taylor’s trial. Sirens and their songs are symbolic of power and Black women’s voices that have been suppressed. In siren mythos, their songs were born of water and known to lure others. However, Tavia rejects this mythos. She knows sirens don’t inherently want to Compel people, using song to force others to do their bidding. They aren’t born with a reason to want to control or manipulate others. In fact, their songs, like Appeal and Awaken, can make them more attractive to others or reveal people’s true selves. They can use their songs for good, as Tavia does in the novel’s conclusion by saving the stoned children and starting her siren activism YouTube channel, but society doesn’t think of the positive side of sirens. Instead, like with the Black community, sirens have been demonized. Sirens experience an extra layer of racism because they are exclusively Black women, which Tavia understands well from various racist experiences—including non-Black people in the predominantly white city of Portland asking for her opinion on Black-related feelings, like she somehow represents them all.
Like Tavia, Effie also experiences conflicts, though not always based on her race; her conflicts stem from the mystery of her past and unknown identity. Effie suffers PTSD from a past encounter at the Triton Park playground, when her friends were turned to stone statues and she was somehow spared. Though she tries to suppress the past (as Tavia does her siren voice), she imagines her young friends playing Red Rover, then turning to stone slowly and painfully. Effie has begun to experience nightmares of the park again. Though the incident’s cause is a mystery, most people blame sprites, ethereal beings who like to play tricks. When her keys go missing, Effie worries sprites have found her again: “Another sprite has chosen me for its mischief […] [but] ‘Sprites aren’t thieves because they always bring things back.’ That’s what Mom used to say” (32). Dealing with the loss of her childhood friends and beloved mother Minerva gives Effie deep grief to overcome. She tries to solve the mystery of what happened years ago in the park, and also what is happening to her as her mysterious symptoms worsen, such as her dry skin and moving hair.
The use of ASL (American Sign Language) as a communication tool is a unique plot device and worldbuilding element. When Tavia can’t speak because of her siren voice flaring in her throat, she reverts to ASL. Signing gives her and Effie a new language with which to communicate, creating deeper understanding. With this plot device, Tavia is still able to “speak” with ASL when she cannot use her voice for fear of revealing her siren songs. For Effie, learning ASL wasn’t based on a negative experience of needing an alternate way to communicate (because Tavia’s siren voice is forbidden), but her positive role as a mermaid. In the mermaid tank at the Renaissance Faire, Effie plays Euphemia, a mermaid who is engaged to a blacksmith’s son. To prepare for this role, Effie spent years practicing holding her breath, weaving her legs and body like a mermaid, and signing ASL messages to the audience. ASL brings back fond memories of her mother and their shared safe space—just like water in general. Tavia herself notes the difference in their ASL background: “She isn’t like me; her voice isn’t cursed. For her, signing is a second language, something lovely that makes her more Euphemia. She’s never done it because she couldn’t bear to speak” (52). The contrast between Effie and Tavia’s need for ASL, their perspectives of it and when to use it, enriches the use of this language—and likely references Hans Christian Andersen’s famous story The Little Mermaid. In The Little Mermaid, the titular mermaid trades her voice for human legs, in the hopes of exploring a different world and winning the love of a human prince. But above all, the mermaid desires an immortal soul that merfolk lack, which connects to Effie and Tavia’s shared desire to feel secure in their own bodies.
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