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18 pages 36 minutes read

A Poison Tree

Fiction | Poem | Adult | Published in 1794

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Further Reading & Resources

Related Poems

"The Tyger" by William Blake (1794)

William Blake’s poem “The Tyger” was published in the same volume of collected poetry as “A Poison Tree,” Songs of Experience. The religious allusions and themes present in “A Poison Tree” are likewise apparent in “The Tyger,” as the speaker in the latter questions the nature of a God capable of creating, on the one hand, a beast as vicious as a tiger, and on the other, a creature as innocent as a lamb. “The Tyger” shares other features with “A Poison Tree,” such as its couplet and four-line stanzaic structure and usage of light/dark motifs. Both hint at a more nefarious trait present within nature.

"The Lamb" by William Blake (1789)

Anyone studying works from Blake’s Songs of Experience collection would do well to familiarize themselves with selections from the Songs of Innocence volume, as these are directly paired and contrast one another. They both highlight two differing worldviews and perspectives on humanity, nature, and religion. In “The Lamb”—a contrasting piece to “The Tyger”—Blake uses innocent, childlike, and bucolic imagery to paint an image of a God who is relatable, loving, and approachable.

"We Are Seven" by William Wordsworth (1798)

William Wordsworth is also known as one of the premier poets of the Romantic period. His work features some of the same characteristics of other writers of this time, including a focus on nature and on human emotions. This particular poem features a darker, more somber view of life, as in Blake’s “A Poison Tree.” In the poem, Wordsworth’s speaker converses with a young girl about how many siblings she has, and debates with her how she can have seven siblings when two are dead. While the poem highlights the loss of innocence all humans experience and the fragility and pain of existence, it counterbalances this with a pure, childlike view of death. Death, the young girl maintains, is not the end.

Further Literary Resources

Published in the journal Visual Culture in Britain, Billingsley’s article tracks the influence of Blake’s writings on two other authors from the early 1900s: Max Plowman and John Middleton Murry. Billingsley notes how both writers “celebrated Blake as a prophet of spiritual Weltanschauung for the modern age” (321). Billingsley draws connections between Murry and Plowman’s conception of Blake and art of the early to mid 1900s. The analysis of the article of Blake’s “embodiment of a universal religious worldview” connects with the religious tones and perspectives on humanity present in “A Poison Tree” (321).

Strange Fits of Passion by Adela Pinch (1996)

In her book, Pinch tracks the origins of emotions within various texts of the Romantic period. Her multi-genre analysis focuses on some of Blake’s contemporaries, including philosopher David Hume, poets Charlotte Smith and William Wordsworth, and novelists Ann Radcliffe and Jane Austen. Though Pinch doesn’t specifically speak of Blake, her dive into how some of Blake’s fellow writers were approaching the subjects of emotion and passion could help shed light on Blake’s own views and creations.

Norton Anthology of English Literature, Volume D, The Romantic Period edited by Stephen Greenblatt (Tenth Edition, 2018)

This anthology published by W.W. Norton & Company gives a comprehensive overview of the Romantic period with all of the historical background necessary to properly contextualize Blake and other authors anachronistically deemed “Romantics.” Each author is given a substantial biographical description as an introduction to their works and a selection of their most well-known writings. Blake has his own section among other notable poets William Wordsworth, John Keats, and Samuel Taylor Coleridge.

Listen to Poem

William Blake’s 1794 poem “A Poison Tree” is further immortalized by 20th century English actor Sir Ralph Richardson.

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